Originally round, plaited basket with wrapped, twined, and twisted detail at the rim. Plain plaited bottom in larger elements than the sides. Row of twining at the juncture of the bottom and the sides. Base elements are split in two to form warps for the sides. Sides have double horizontal rows of checker work in alternating red-brown and dark brown with three plain rows between. At the top, there is a row of dark brown twining, then open work where each warp is split in two and twisted, then four rows of twining, next bundled elements are wrapped in dark brown, and finished with three strand twisted elements at the rim.

Dome-shaped basketry hat with small checker work plaited square at top, where warps are visible. This area is outlined with twining and then the warps are split into smaller pieces and double strand twining resumes, but as much finer work. There is a row of triple strand twining, after several rows, and then the warps are split again and two strand twining continues. The bottom rim is finished with a row of triple strand twining followed by four rows of double strand twining, and then another row of triple strand twining. There is a fitted hatband inside hat with a black shoelace sewn to it.

Dome-shaped basketry hat with small checker work plaited square at top, where warps are visible. This area is outlined with twining and then the warps are split into smaller pieces and double strand twining resumes, but as much finer work. There is a row of triple strand twining, after several rows, and then the warps are split again and two strand twining continues. The bottom rim is finished with a row of triple strand twining followed by four rows of double strand twining, and then another row of triple strand twining. There is a fitted hatband inside hat with a cotton string sewn through it.

Wooden, carved bird mask with a very long straight beak. Beak has rounded end and movable lower mandible. Shredded cedar bark at top of head has five feathers, three brown and two white, and down. Twisted cedar bark nailed along upper rim, sides and lower, unraveled ends on either side of elongated rounded protuberance at base of beak; long bent brow above orange eye area which is curved and pointed at base of beak, pointed eyelid lines have red optic liners, circular pupil; u forms on temples; conical protruding nostrils have circular ends and u forms along length; black beak has series of u forms above and below red lip band; lower mandible is slightly longer than upper beak. Frontal bird face at base of lower mandible with black and white circular pupils in orange eye areas, black broad nostril nose with circle at centre for tip of beak, white band around red continuous lip band, bared teeth. Lower mandible attached to base of head by leather hinges that have been glued and stapled into place; operated by cord tied and passed through 2 metal 'eyes' on interior of beak, looped around a wooden ball and attached to the centre of a short stick; nylon line looped and tied through two holes at base of head. Signed 'Hok Hok Beau Dick 80.'

Short, cylindrical basket (a) with lid (b). Rim is twined; cedar bark flange looped with cedar bark warp strands. Sides are grass wrapped twining. Cedar bark and grass base, plain twined with checker work centre. Design has geometric motif around middle of basket in purple-blue, yellow and purple. Seven concentric bands at bottom in purple, yellow, and red-purple. The lid is wrapped twined grass with geometric design of sunburst circle at centre in dark purple, green, orange and purple. Geometric motif between centre design and edge, in blue, purple, yellow, and red-purple. Rim has seven concentric bands of blue, purple, yellow, red-purple, and purple-blue.

Mask with top knot of folded cedar bark wrapped with a strip of red plastic near the base. The mask is painted grey and has two indented diagonal curved shapes near the top of the forehead. Curvilinear eyebrow ridges extend beyond the side edges, and beaten copper is nailed to the surface of each. The eyes have circular hollow protruding pupils made of abalone shell, and the hooked beak-like nose has wide rounded nostrils. The open red mouth has pointed recurved lips. The mask also has a pointed chin and a series of black curved lines that accent the cheeks from chin to temple. Signed by artist on reverse.

Conical hat (no liner) with knob at crown; wrapped twine cedar warp over 3-corner grass horizontal weft; inner weft of swamp grass. Purple-black dyed cedar decoration with three rows of checkerboard at bottom (rows 3-5). On main brim of hat are two horizontal bands with a whaler, holding a harpoon, standing in a canoe with a whale to the right. Above each canoe is a line with three diagonal spurs along top of line and at widest point of knob are three checkerboard rows. Twining varies in element size with wider elements in four rows around centre, at brim, below meander and on knob. Inside is cedar slat head band with evenly spaced, wide, vertical grass supports worked into the basketry at top of band and ending in two rows of twine at bottom.

Mask made from cut out planks of wood formed in a triangular-shape with flat sides, a thin adjoining nose piece and rectangular shaped pieces of wood at the back. Detailed in blue, black and red stylized forms is a lightning serpent with a carved snout which is painted black along with the eyebrow and mouth. The large red eyes are outlined in blue. The mouth has red teeth bared. Attached to the top of the mask are long, thin strips of cedar that hang down to cover the head of the wearer. Incised in the inner side is: ‘Clayoquot serpent headdress, J. David, 80’.

Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.