A rectangular wood box on a flat base with a lid (part a) that fits on top. The sides of the box and lid are painted with red and black stylized creatures. There are two carved faces on the either sides of the lid with black eyes and eyebrows and a red mouth. The base, top, and sides of the box are made of red cedar; the faces are carved of alder and inset into the cedar, held in place with small wooden dowels. While there may be commercial paints used on the outside, the inner part is painted with a mineral-based paint made of red ochre.

Brown circular woven basket with low vertical sides; three bands of black and red patterning running horizontally around the sides.

Portrait mask. Light brown wooden human face mask, with a tuft of sheep's wool and two eagle feathers affixed to the centre of the forehead. Black elongated eyebrows run close to the mask's edge. An l-shaped band of blue paint runs down one side of the face and across the eyes and bridge of the nose. The bottom portion of the nose, the lips and chin are painted a red-brown colour; the same colour is applied in short, repeated strokes above both eyes.

Rectangular basket with vertical sides; two long sides have domed handles as part of the walls. Base is solid and sides are open work with coiled solid bands alternating with bands of open zigzags; Handle are open work and have two arches with zigzags in between them. Solid bands of walls have woven checkerboard decorations at regular intervals.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are barely perceptible. Cedar bark stitching and/or the accompanying holes at top and bottom ends of the board. Large area of rotted wood in the plank's centre. Uniform chisel marks and longitudinal cracks cover the underside.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are barely perceptible.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood. Nails flush with the surface of the board are spaced at regular intervals near one longitudinal edge. Black and red painted designs are more apparent near the centre of the board. The back of the board has a number of deep, oval-shaped holes in the surface. One end has large pieces missing, creating a zigzag-like edge.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; predominantly black designs are still visible, particularly in the centre. Longitudinal cracks mark the centre of the board, with longitudinal splits at both ends. A long, hook-like nail protrudes from a hole near one end. Broad, uniform chisel marks on the plank's underside.

A long rectangular cedar plank with faded black and red Northwest Coast designs imprinted in the surface of the wood. Both edges are straight edges. Black designs are most visible down the length of the front of the plank. An outline to a circular design is near the bottom. Back is plain.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; some red paint is visible towards one end. Longitudinal splits run from both ends. Many holes through the plank. Underside is covered with uniform chisel marks, longitudinal gouges and black patches.