Oval, coiled, slat foundation carrying basket. Rim is single coiled and beaded with red cherry bark. Two coiled handles of cedar root foundation are attached to loops in the rim. Body of the basket is decorated with alternating red and black cherry bark with white grass (cat-tail) in eight vertical imbricated bands. Very finely woven.

Oval basket with hide straps. Coiled, slat foundation carrying basket. Rim is braided and has two long hide handles. Red cherry bark beading in horizontal bands around the basket. Imbrication drops in black cherry bark decorate the foot of the basket.

Small round basket with a coiled slat foundation. Rim has two loops and braided cedar bark as decoration. Red cherry bark beading in three horizontal bands decorate the body of the basket with broken up horizontal beading around the foot of the basket.

Small totem pole with three figures. Topmost is a bear figure with a black body, green arms and legs, a red snout and eyes and red dots covering the body. The middle figure is wolf-like with a red body, black arms and legs and green dots covering the body. The bottom figure is a bird with a green head and body covered with black dots and red and black striped wings. The word "Esquimalt" is roughly carved across the lowest portion of the pole. The pole sits on a black and brown base.

Basket with with four sides that taper inward at the base; made with uneven rectangular coiled cedar root construction. The bottom is constructed of cedar slats and the sides are cedar splints, all coiled with cedar root. Red and black cherry bark beading in horizontal bands on the four sides.

Carved, wood mask with a triangular shape coming to a point at the bridge of the nose. Bear fur spans the top of the mask and extends halfway down the back opening. The slightly raised, heavy eyebrows are painted black, extending from the back edges of the mask and meet at the upper nose. The eyes, set in a shallow recess on the plane of the upper cheek, are long and drawn out with a circular centre. The nose is long and narrow, with back thrust nostrils. Lips, painted red are rounded and drawn back, slightly parted. U-form designs on the forehead are painted green, blue and red; eyes are outlined in black with a red broken-line sunlight design above them; wave-like designs on the cheek are painted green and blue.

Dzunuk'wa feast dish carved from a single piece of wood in shape of reclining figure, Dzunuk'wa (Tsonoqua), with head at one end; centre is deep ovoid bowl and opposite end has drawn up knees with block-like feet. Head is deeply carved with hair outlined; nose, pursed mouth and chin in higher relief than eyes and cheeks. Cheek band is mid-height. Head cuts off sharply at chin. Bowl has hands on either side with carved ovoid shape on palm and ovoids with split u's and ovoid on shoulder area. Painted black with red details on mouth, nostrils, bowl rim and with white shoulder detail. White on palm. Adze marks in longitudinal lines. Flat on bottom.

Whale-shaped mask or headdress with moveable jaw, dorsal, pectoral and fluked tail fins. The moveable parts are connected by strings which work together. Black overall with red mouth, outline around eye, nostril and details on fins. Dorsal fin at centre top is in recessed channel. It is attached to headdress with wooden pegs at bottom centre of fin; ovoid hole cut in white ovoid above face, two u-shapes above. Tail flukes also formerly pegged, peg now missing; decorated with frontal face which has black and white ovoid in ovoid eyes with red split u ears and red and white mouth. Bottom, convex surface is painted with a frontal face; black outlined round eyes and grinning mouth. Red and green details on white ground. Pectoral fins, formerly hinged with nailed on leather strips which have split down centre. One side patched and also now detached. Outside of fins are fully painted with face before double split u's; inside is black and red on unpainted wood. White s-shape on each side of whale body and white ovoid at back. Holes for string attachments in all parts. Canvas head strap on bottom with remnants of blue cloth. Piece of rope strung across bottom near back. Stains, imbedded dirt and a few scrapes.

Coiled cedar root basketry cradle (part a) with slat foundation and sides. Cradle is rounded at the higher, wider proximal end and is tapered and narrow at the distal end. Fully beaded overcast rim. Remainder of the cradle is plain on the inside and decorated with beading and imbrication on the outside. Rim pattern has mainly canary grass with several repeats of alternating cherry bark and grass. There are seven side coiled rows. First two rows repeat a pattern of closely spaced grass chevrons alternating with wider spaced red or dark brown cherry bark chevrons. Rows three and four repeat above pattern in alternating areas. Rows five and six feature three vertical red cherry bark lines alternating with a darker diamond or x-shaped pattern. Row seven is undecorated. No foot. Plain coiled bottom. Tumpline or carrying strap (part b) with wool wefts and multiple element warps is weft-faced plain weave in a light white-brown and red zigzag pattern. On each end of the strap, there is a machine-stitched, hide backed strip of plaid material which has a shell button on the strap end and a button hole at the other. Each end is buttoned over a strip of hide which is tied on each side of the cradle just below the rim with small strips of hide. There is a small piece of cordage tied to one side.

The shape of the mask is like a high triangle, two planes intersecting on the median of the face. The heavy eyebrows are painted black, but are not raised. The brow slopes and projects sharply above the nose. Each eye is set in a concave orb in the mask. The eye is made up of a painted white ring surrounding a round hole (2 cm. in diameter, 2 mm deep). The hooked nose is long and narrow and merges with the backswept cheek planes. Up-thrusted narrow nostrils are painted orange. The mouth, encircled by a concave recess, is formed by full, protruding lips, drawn back slightly separated and painted orange. Along the top edge of the mask extend strands of black hair shredded and twisted cedar bark strands, and grey-white feathers. Inside the mask is a leather frame to fit the head.