Light brown basketry tray with cedar slat foundation and cedar root coiled rows, and a handle at either end. Decorated with beading in grass and red and black cherry bark. Design consists of alternating red and black chevrons on a light yellow-brown background. Simple interlocking coiled work (bifurcated stitches); parallel slat construction. Braided loop work border and reinforcement at the sides.

Rectangular coiled basket (bifurcated stitches) with looped border and short foot. Slat base construction. Imbricated design near rim of solid row of alternating double stitches of cat-tail grass (?), dark and red cherry bark. Three rows of alternating checkerboard diamonds in red cherry bark and cat-tail grass (?), and dark cherry bark and cat-tail grass (?). Foot has bottom row of imbrication of three alternating stitches in red and dark cherry bark and cat-tail grass (?).

Wooden, carved figure in the shape of model of a mummy (ushabti) with a red, painted face and black facial features. Hieroglyphs are painted down front panel. There is a piece of paper, glued to the back of the figure with black writing that reads, ‘The Ptolemies period (Thebes)’.

Irregular wood piece that bends at an angle while tapering at one end. Both ends have a knob around which string and bark cording are attached. Linear design in black consists of two horizontal bands around either end and pair of circles with tapering ovals around the natural elbow-like features where the piece bends at an angle.

Full-sized paddle, painted black with designs across front; back of blade is undecorated. Paddle has a flattened ovular blade, thick cylindrical shaft, with a grip that flares at the top. Central line of white dots extends from grip to throat of paddle; mirrored on either side by lines of dark blue, green, yellow, and red dots. Dot lines end at dark blue infinity symbol, which covers front of blade. Sides of infinity symbol have prairie roses and trilliums. Behind the infinity symbol is a scene of three buffalo, done in black. Buffalos are painted on a ground of blue, white, and brown; ground colours fade into one another. Artist inscription written on back, bottom edge of blade: STRENGTH IN THE DARKNESS- AA 2021. COLLABORATION: PAT CALIHOU, CARVER; Adele Arseneau, PAINTER.

Carved wooden sculpture of whale, painted on a rounded, rectangular painted base with a tall dorsal fin. The fin has two carved and painted humanoid figures carved and painted on the sides of the fin, with their hands are carved, as if holding onto the edges. Mainly painted black, with red and pale blue design elements.

Large, kidney-shaped, hand-woven basket; cedar slat construction, wrapped with cedar root; decorated with alternating stipes of imbrication in black and red cherry bark and pale yellow grass. Small half-circle handles attached near top edge at each end. Fourteen vertical stripes around all sides of basket; each set consists of 2 bark, 2 grass, 3 bark, 2 grass, 2 bark, some in black bark and grass, others in red bark and grass. Remains of secondary handles at both corners of the indented side (small root remains in four holes at one end; holes are empty at other end.) Old repair runs along the top edge on the outer side.

'Ksan Doors: four large cedar panels that join in pairs. Each panel is covered with carved figures and designs, with an uncarved border around the edges.

Traditional style harbour canoe. The designs painted on the outside are Thunderbird and Killer Whale, with a black background.

Model totel pole with two carved figures. From top, a thunderbird with eyes outlined in blue and a mouth outlined in red. Wings are painted with red and blue feathers. Left wing has been reattached with adhesive. The thunderbird sits atop the tail of a whale. The whale is positioned head down with eyes outlined in green, nostrils outlined in red, and mouth outlined in purple. 'CHARLIE JAMSON' written on back.