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Heron Mask1-1446

The renowned Kwakwaka'wakw artist Mungo Martin identified this transformation mask as his own work. It was made for a chief named Lagius, probably around 1920. The style of carving and painting are recognizable as that of Mungo Martin or his stepfather and mentor Charley James. Although the mask is called Crane in the museum records, the gray color and the hunched attitude when folded are reminiscent of the great blue heron, a bird common to the Kwakwaka'wakw country and often miscalled crane in English. (Holm, Spirit and Ancestor, 1987)

Culture
Kwakwaka'wakw: Kwagu'l
Material
red cedar wood, yellow cedar wood, cloth, cotton, string and paint
Holding Institution
The Burke: University of Washington
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Bentwood Bowl6933

This bentwood bowl has high ends and low sides that imitate the shape of a carved oil dish. The formlines painted on the surface are in a freer style than those of nothern artists (compare the bentwood box to the right).

Culture
Kwakwaka'wakw
Material
cedar wood and paint
Holding Institution
The Burke: University of Washington
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Soapberry Spoon2.5E692
Sea Monster Back Mask1-1540

This Sculpin mask epitomizes the flamboyance of Kwakwaka'wakw theatrical sculpture. Jagged contours, bold, intertwined forms, and snapping, fanning, and waving appendages--all covered with contrasting and complex patterns of strong color--create creatures of startling fantasy. The subdued, wavering light of the dance house softens those contrasts amd unifies the forms. The sculpin swims to the rise and fall of its song in a sea of firelight and swirling eagle down. (Holm, Spirit and Ancestor, 1987)

Culture
Kwakwaka'wakw
Material
cedar wood, paint, string and cloth
Holding Institution
The Burke: University of Washington
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Box Lid2.5E535

Kwakwaka'wakw box lids characteristically have a high, raised edge along one side and it is this flange, painted with a stylized face and inlaid with sea otter teeth, which remains from the ancient lids and which had a prominent part in the ceremonial repayment of the marriage price. The goods to be transferred, among them a box containing ritual material symbolizing the dances, were gathered on the ground within a square bounded by a line of the archaic lids. (Holm, Spirit and Ancestor, 1987)

Culture
Kwakwaka'wakw
Material
cedar wood and operculum
Holding Institution
The Burke: University of Washington
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Moon Mask1998-23/5

The paint is black, red, green, and white. The wool is blue.

Culture
Kwakwaka'wakw: 'Namgis
Material
cedar wood, paint, cloth, wool and nail
Holding Institution
The Burke: University of Washington
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Headdress2.5E1605

This forehead mask represents Kolus, a white down-covered thunderbird. It was carved by Willie Seaweed for his son, Joe, to use during the Great Dance of the Tlasula. Joe Seaweed received the privilege of performing this masked dance from his mother, Alice, who had it as part of her dowry.

Culture
Kwakwaka'wakw: 'Nakwaxda'xw
Material
red cedar wood, leather, cord and paint
Holding Institution
The Burke: University of Washington
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Owl Mask | Mask Attachment1998-23/4

The paint is black, red, green, white, yellow, and brown.

Culture
Kwakwaka'wakw: 'Namgis
Material
cedar wood, paint, nail, feather and shredded cedar bark
Holding Institution
The Burke: University of Washington
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Mask25.0/309

The paint is black and red.

Culture
Kwakwaka'wakw
Material
cedar wood and paint
Holding Institution
The Burke: University of Washington
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Rattle2.5E1015

The paint is green, red, and black.

Culture
Kwakwaka'wakw
Material
cedar wood, paint, plastic and varnish
Holding Institution
The Burke: University of Washington
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