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Female Figure64.12

Purchased with funds given by Joseph F. McCrindle

Material
ceramic
Holding Institution
Brooklyn Museum
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Face-Neck Jar65.205

Ella C. Woodward Memorial Fund

Culture
Wari
Material
ceramic, slip and pigment
Holding Institution
Brooklyn Museum
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Face Neck Jar41.418

Face neck jar with polychrome decoration on red-brown slip. The vessel is bottle-shaped with a bulbous body and a tall, narrow neck. The neck is decorated with a modeled human face with a feline figure painted on the nose and two condors painted below the eyes representing tear lines. The body of the jar is decorated with a standing male figure wearing an elaborate tunic and holding a staff in each hand. One staff is surmounted by a bird head, while the other is surmounted by an ear of corn. The man's face, which is in profile, is decorated with painted geometrical designs and an ear of corn hangs from the front of his headdress. Condition: good. Text by GdeH 9/2011: In the Andes, maize did not have as pronounced a ritual significance. The main function has been its transformation into chica, a ceremonial drink of significant alcoholic content still produced and used for ritual events and feasts. During pre-Columbian times, corn, along with cotton, was the basis of trade between the coastal lowlands and the high altitude areas of Peru which provided potatoes and wool. This face neck jar has been made by a highland civilization, the Wari, who were active around present day Arequipa, but its imagery includes corn, a coastal element. The figure on this jar is a man of high status as indicated by the designs on his tunic. An ear of corn dangles from his headdress, and another adorns the tip of one of his staffs. Images of condors and felines that can be seen on his face are typically associated with power, and from these clues, it is possible to say that this figure’s imagery relating to corn is evidence of its importance to the Wari people.

Culture
Wari
Material
ceramic, slip and pigment
Holding Institution
Brooklyn Museum
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Peccary Effigy Vessel31.1685

Gift of Mrs. Minor C. Keith in memory of her husband

Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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Effigy Vessel86.224.170

Gift of the Ernest Erickson Foundation, Inc.

Culture
Moche
Material
ceramic and painted slip
Holding Institution
Brooklyn Museum
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Effigy Vessel34.1716

Alfred W. Jenkins Fund

Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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Effigy Vessel29.1312.16

Museum Collection Fund

Culture
Recuay
Material
ceramic and pigment
Holding Institution
Brooklyn Museum
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Effigy Vessel88.57.2

Large ceramic effigy vessel in the form of a snarling four-footed animal (probably a jaguar), with a vessel form on its back and a long, thick, downturned tail. The front paws are raised up with claws extended and underside pads visible including the dewclaws. The back paws rest on the ground. The large head has an open mouth with teeth and four fangs, a flat nose with scroll-like nostrils and long finger-like protrusions above it, round bulging eyes with spiky-pointed "eyelashes," protruding ears, and a short beard or lip plug below the lower lip. Protruding from the creature's back is a simple flaring jar vessel with a flat, disk-like rim. The surface of the clay is rough, and the surface of the jar is especially irregular. The small disc in the palm of the cats paws is typical of Jama Coaque objects. Condition: Good except for thin cracks in various areas over the entire surface.

Culture
Jama Coaque
Material
ceramic
Holding Institution
Brooklyn Museum
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Effigy Vessel86.224.13

Gift of the Ernest Erickson Foundation, Inc.

Culture
Nasca
Material
ceramic and polychrome slip
Holding Institution
Brooklyn Museum
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Effigy Vessel63.153

Dick S. Ramsay Fund

Culture
Maya
Material
ceramic
Holding Institution
Brooklyn Museum
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