Museum Expedition 1903, Purchased with funds given by A. Augustus Healy and George Foster Peabody

Small spindle whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling lines in brown, black and white paint decorate the shaft on both sides of the bead. The bead is long, round, and narrow, decorated with incised lines in geometric shaped, and filled with paint in white and orange.

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Small sections of black paint, very worn, decorate the shaft on both sides of the bead. The bead is wide and bulbous pointed at midpoint, with a line of dripping black paint above the midpoint, and a single encircling line of red brown below.

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling stripes of white, brown, and red brown paint decorate the shaft on both sides of the bead. The bead is bulbous, painted black, with three groups of concentric circles carved into the clay and painted white.

Ceramic multi-story tower in 4 pieces, raw terracotta inside with faded green glaze on the exterior. Each part of the tower balances on top of the one below. The roof and top level of the tower are part 'a.' A small structure sits inside a square balcony, with three figures attached to the ledge in front. The roof is slanted and ridged, flower motifs at each corner, and a bird with wings spread at the peak. Part ‘b’ is larger and contains levels 2 and 3 of the tower, as well as a similar roof, flower motifs and figures on the ledge as part a. Part ‘c’ holds the ground floor level, which has a single partially open doorway. Grilled windows sit high on the structure on three sides. Atop this is a large square balcony with 5 figures attached to the ledge, facing forward. Part ‘d’ is the courtyard of the building, the base surrounded by high walls decorated on top with two rows of regularly spaced indents. The door stands open, with two roofed towers above it to each side.

Ceramic figure of the deity Lokapala standing on a cow. The figure wears full armour with dragon heads at the shoulders, a robe that flows out from under a waistcoat, long pants, and boots. His left hand rests on his hip, while the right is extended to hold a weapon (piece missing). Lokapala is smiling fiercely, with a thick brow above dark eyes. His hair is piled atop his head in a simple but decorative arrangement. The cow below his feet is small, lying on the ground in a resting posture with legs folded beneath, head raised, eyes open. The base of the sculpture mimics rough earthen terrain.

Riggs Pueblo Pottery Fund

By exchange

Acorn shaped ceramic coin bank. There is a diagonal slot in the upper part of the acorn. The top of the acorn and the foot are painted with a darker orange slip or paint. The base is signed "Mario Lagartinh[o] Estremoz" (the last name cuts off the edge).

Acorn-shaped ceramic coin bank. There is a diagonal slot in the upper part of the acorn. The top of the acorn and the foot are painted with a darker orange slip or paint. The base is signed "M.L. Estremoz"