Clay "joni chomo" portrait pot. The mouth of the pot is small with a slightly flared rim. Below is a small but wide face with protruding nose, cheeks, ears and chin. The eyes are painted oblongs with a small pupil. The mouth is a small incised line emphasized by brown paint. The back of the head is painted brown. The face, ears and body to the shoulder are covered in large open patterns of dark brown lines with rust coloured accents, on a light brown base. The area below the shoulder is undecorated, but has large spots of black carbonization.

Clay "joni chomo" portrait pot. The mouth is wide, with a thin and slightly flaring rim. The interior is painted black. A face is situated on the neck with protruding nose, cheeks and chin. The eyes are painted oblongs with a small pupil. The mouth is a carved line emphasized by brown paint. The ears are brown and protrude, and the back of the head is painted brown. The face, as well as the pot’s body to the shoulder, are covered in patterns of dark brown lines with rust coloured accents, on a light yellow base. Beneath the shoulder to the foot the pot is rust in colour with large areas of black. The base is slightly concave.

Clay bowl with wide mouth and rounded sides that incline sharply to a small round base. The interior is decorated with white and brown lines of varying widths in linear patterns, on top of a red slip base. The overall finish is matte. The exterior has a more intricate and smaller pattern of lines in varying widths and of a dark brown, on a light yellow background. The outer surface is shiny.

Clay bowl with wide round mouth and curved sides that recess to a small round base. The interior is painted in a matte finish and decorated sparsely with brown and white lines in patterns of large crosses and smaller knots. The exterior has a shiny finish over an intricate design of thin brown lines surrounded by thicker lines marking a larger and simpler pattern. Small shapes in orange further embellish the design.

Clay "joni chomo" portrait pot. The mouth is small with straight walls, beneath which is a three-dimensional face with protruding nose, cheeks, chin and ears. The eyes are painted ovals with small pupils, topped by arching brows that meet above the nose. The mouth is an incised line, frowning, emphasized with paint. The ears and back of the head are painted brown. The face and body to the pot’s shoulder are covered in an intricate geometric pattern in brown and rust on a light yellow background. Below, the pot is decorated with thick lines in shades of orange, brown and light yellow. The bottom third of the pot is undecorated, orange in colour with large areas of black carbonization. The foot is small and round.

Painted terracotta kneeling figure with hands on top of thighs. Figure of a sitting woman. The head is large, wide to the sides and narrow front to back. Mouth, nostrils and ears are carved into the face, with protruding nose and eyes. Orange paint decorates the ears and area around nostrils and mouth. A headdress of brown and orange stripes sits on the crown of the head. Decorative brown lines pass from the elbows to shoulders and encircle the protruding breasts. The stomach is slightly rounded. Arms are held akimbo, and wrists are painted orange. The legs are short and wide, extending to the front, with orange painted feet. The thighs are decorated with brown curving lines. The back of the figure has a protruding bump on the head, and cleaved buttocks. On the bottom of the figure a hole is bored into the hollow centre.

Tall cylindrical jar. Neck is concave with a flaring rim, and a smooth slope to the sharp shoulder. The body is made of 9 long, somewhat irregular facets. A thick glaze covers the jar inside and out in a mix of dark yellow, red and black. The base is unglazed.

Veraguas style terracotta ovoid-shaped vessel with off-set oval opening and a flared rim, zoomorphic handle.. The mouth sits on one side of the top of the pot, and has a large, flaring rim. Opposite it is a wide, protruding head of a creature, perhaps a frog, with incised mouth and protruding eyes and nose. The head serves as a small handle. Thin arms, bent at elbow, and hands are situated to the front, in bas relief.

Terracotta painted pot missing all three legs, with figure eight design. The round pot has a wide mouth with neck that angles inward to shoulder, then flaring out to a sharp hip, with a rounded bottom. Round breakage marks regularly spaced on base indicate that the pot may have once had three attached legs. The pot is painted on the inner rim with encircling lines of dark brown and rust, with similar on the outer rim and hip. Figure 8 patterns are painted on the body, interspersed with vertical lines. The base has thick rust coloured lines surrounding the breakage marks of the legs.

Bulbous terracotta pot with flattened applique figure. The large pot has a flared, uneven rim, narrowing toward the mouth, and flaring again below the neck. The midpoint is bulbous and wider than the top half, curving inward toward a rounded bottom. The only decoration is a bas relief figure of a creature with a human like head that protrudes from the shoulder of the pot, with protruding legs and feet and slightly outset hands. The creature’s large round wings are carved into the pot on either side. The figure is coloured a light brown while the rest of the pot is a burnished dark red-orange.