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Retablo Altar2903/5

Small altar with a wood base covered with fibre then a clay-like substance. The side and top walls of the altar are painted red-brown. The front of the object is painted pink with yellow, red, green and white detailing. There is a decorative edge slightly offset from the front of the object that wraps around the side walls and the top of the altar. The undulating lines of the edge are accentuated with yellow and red painted borders. The interior walls of the altar are light brown. There is a light grey and yellow pattern with purple flowers painted over top the light brown. A three-dimensional plastic figure of a man is standing within the altar. The man has a halo and a Franciscan style haircut. He holds a gold dagger in his left hand. He wears a white dress with blue lines underneath a short-sleeved robe. It is pink with a yellow, red, green and gold pattern over top. He stands on a three-part plinth. The top of the plinth is white with blue lines, the lower portion is gold and the bottom portion is green. The back and bottom of the altar are light grey.

Culture
Bolivian
Material
wood, fibre, paint, metal and clay
Made in
Bolivia
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/123

Clay ocarina is composed of two nearly identical sides connected at top and bottom with a thin neck of clay. Each side has a long neck with a wider body, topped by a protruding nub. A wide incision at the mouth separates airflow into two chambers (windways), and each side of the instrument has its own windcutter beneath. Each also has a single pitch hole at the opposite end from the mouthpiece. The top of the ocarina is decorated with orange and dark brown pigment in circles and lines. The bottom is undecorated and two tiny nubs serve as legs.

Culture
Central America
Material
clay and paint
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/122

Clay ocarina. The squat, bulbous body is topped by a conical protrusion which contains a diagonally bored hole (windway), beneath which is a large opening (windcutter) into the hollow body of the instrument. A smaller cone is situated on the bottom of the ocarina, also with a hole bored from the top into the body. Three small perforations sit on the surface of the object but do not pierce through. The ocarina is decorated with dark brown and orange pigments in symmetrical line patterns.

Culture
Central America
Material
clay and paint
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/119

Clay ocarina in the shape of an animal. The rounded body of the instrument has a protruding face with a round nose and large eyes set high on the head. The mouth and a large hole under the chin (the windcutter) both open into the hollow chamber of the body. On the back of the creature is a narrow bump with a hole bored through, possibly a necklace ring, and behind this are four pitch holes. The creature has four coil legs that curl slightly on the torso and become small feet that somewhat support the ocarina.

Culture
Central America
Material
clay
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/118

Clay ocarina has a rounded, bulbous body, with the mouthpiece set low and containing a windway with a windcutter below. The instrument has two conical legs, above which emerges a figure with protruding arms, head and face. Below the chin is a thick rounded curve, decorated with a slightly protruding and incised coil of clay, that serves as a necklace ring. On the top of the instrument four pitch holes have been bored through to the ocarina’s hollow inner chamber. The instrument is decorated across the top with incised lines and circles.

Culture
Central America
Material
clay
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/117

Clay ocarina. The instrument is irregular in shape, with three round, connected globes, beneath which is a group of coils. Two of the globes have two pitch holes each, one on either side, while the third has a larger round opening with a thick rim. Amongst the coils are more openings, some of which lead into the ocarina’s hollow interior, which has multiple connected chambers.

Culture
Central America
Material
clay
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Wind Musical Instrument2847/116

Clay ocarina. A long mouthpiece with windway and windcutter widens into a round body with a small oblong outcropping on each side and an elaborate necklace ring at the top back. Four pitch holes are bored into the top of the ocarina through to its hollow centre. The top and back are decorated with incised patterns of lines, dots and triangles. The instrument stands on three conical legs.

Culture
Central America
Material
clay
Made in
Costa Rica ? or Nicaragua ?
Holding Institution
MOA: University of British Columbia
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Pot2847/102

Painted terracotta footed pot. The body is tall and egg shaped, with a somewhat rough rim around a narrow mouth. It is painted with the image of a feathered serpent, with flowing lines, dots and patterns coloured in orange and brown and has a cream slip. The pot has a prominent foot that flares downward and is decorated with encircling lines of brown and orange. The bottom of the pot inside the foot is very round, as if continuing the egg shape of the body. The interior of the pot is undecorated.

Culture
Central America
Material
clay and paint
Made in
Guanacaste, Costa Rica
Holding Institution
MOA: University of British Columbia
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Figure2903/37

Painted ceramic figure of a woman. Atop her head there is a red basket with 6 pieces of round fruit painted in various bright colours. Her left hand is upraised to support the fruit. In the crook of her right arm is another basket, with a handle, containing purple fruit with green stems. The woman has black curly hair that falls down her back in two braids. Between the braids, there is a slit into which coins can be inserted. The woman’s face has been unevenly painted with two different skin tones. She has rosy pink cheeks. The woman wears gold earrings and a gold necklace and wears a white short-sleeved blouse with red and green embroidery around the neck and the sleeves. Overtop of the blouse, there is a sleeveless v-neck poncho with an asymmetrical hem with a fringe around the edge. The top half of the poncho has a pattern with red, yellow, blue and brown stripes and black dots. The lower portion of the poncho has a pattern with blue, black, red and brown cross-hatching over a yellow background. Her skirt is wide, yellow and A-line. Along the bottom edge of the skirt there is a green, blue, pink and red design with flowers. The woman’s small feet are visible beneath her skirt, wearing blue shoes with yellow dots. She stands on a green base. The bottom of the figure is indented; the edge is painted orange. There is a small hole in the bottom.

Culture
Ecuadorian
Material
clay and paint
Made in
Cuenca, Azuay, Ecuador
Holding Institution
MOA: University of British Columbia
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Figure2903/36

Painted ceramic figure of a woman. Atop the woman’s head is a brown basket with 6 pieces of fruit painted in various bright colours. The woman supports the basket with her upraised left arm, and in the crook of her right arm holds a yellow basket with a handle, containing orange-red fruit with green tops. The woman has curly black hair which falls down her back in two black braids. Between the braids is a slit in which to place coins. She wears gold earrings and a gold necklace. Also, she is wearing a light green short-sleeved blouse with dark green and red embroidery around the neck and sleeves. Over top of the blouse, there is a short-sleeved poncho. The poncho is sleeveless, has a v-neck and an asymmetrical hem with fringe along the edge. It has a red background with an orange and yellow design and drapes over her voluminous dark green skirt. Along the bottom edge of the skirt, there is a pattern in yellow, blue and red. Underneath the skirt, her small red shoes are visible with yellow dots on them. She stands on a green base. The bottom of the figure is indented and unpainted. It has a small hole in the centre.

Culture
Ecuadorian
Material
clay and paint
Made in
Cuenca, Azuay, Ecuador
Holding Institution
MOA: University of British Columbia
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