Hollow, yellow-brown animal figure with four arms and tail is the representation of IRA (Portuguese for wrath), one of the 'seven sins'. The sin name is carved into the base front, with "JR" at the back. A three horned devil figure with a snake hanging from its mouth is holding four small figures by the neck and appears to be strangling them.

Hollow, yellow-brown donkey-faced figure with four arms and a tail is the representation of PREGUICA (Portuguese for sloth), one of the 'seven sins'--the sin name is carved into the base front, with "JR" at the back. The figure, holding a small donkey in its lower arms, is covering its eyes with its upper hands.

Hollow, yellow-brown figure with four arms is the representation of one of the 'seven sins'. The name INGENUA is carved into the base front, with "JR" at the back. The figure wears large earrings and an apron and is being strangled by the two small devils standing on her shoulders.The two devils held in the lower arms carry sticks.

Hollow, yellow-brown fish-faced figure with four arms is the representation of INVEJA (Portuguese for envy), one of the 'seven sins'--the sin name is carved into the base front, with "JR" at the back. The three-headed fish/person with two arm-like appendages on its head and scales covering upper body is holding four birds.

Hollow, yellow-brown pig-faced figure with four arms and a tail. Representation of GULA (Portuguese for gluttony), one of the 'seven sins'--the sin name is carved into the base front, with "JR" at the back. The female pig figure with long hair suckles four piglets at her four breasts.

Hollow, yellow-brown goat-faced figure with four arms and a tail. Representation of LUXURIA (Portuguese for lust), one of the 'seven sins'--the sin name is carved into the base front, with "JR" at the back. The male goat figure is holding a small female animal figure above its large genitalia.

Brightly painted ceramic figure of mother holding children, with large colourful antlers and orange, deer-like faces. Colours of the mother's long, flared skirt, jacket, and apron include pink, white, green, blue, yellow, black, orange and gold. Around each of her elbows wind identical huge bouquets of multi-coloured flowers and, around her wrists, gold bracelets. The children wear yellow/blue and red/green jacket and pant sets.

Pear-shaped orange clay owl standing on legs and triangular red feet has gray hand painted body covered with black dots. Wings curve in tightly around the body and the tail has a dark band along its edge and hole in it. Recessed eye cavity and pincer-like beak are painted red.

Pear shaped orange clay owl with white slipped and burnished body is covered with a hand painted brown feather motif. Tiny orange feet with brown painted toes peek out at base. Eyes are thickly underlined, from open beak to orange conical ears, and there are three dots at the back of the head.

Pair of egg-shaped, burnished white clay owl salt (b) and pepper (a) shakers, each with a large hole beneath the tail and the letter 'S' or 'P' respectively winding around four holes in the head. Both have body details hand painted in black over the white background and the protruding beak and ears are dark red. Eyes are star-like with four long and two short lashes.