Large round dish, made of light orange clay, has unglazed outer surface, a beige glazed interior surface, pie-crust dented rim and sides that slope down to smaller pedestal food. There is a depiction in green and brown, in the bowl, of a cat-like animal standing amongst trees and flowers, and a cross-hatched green border around the inside of the rim.

Zoomorphic multi-headed llama vessel made of light brown clay is painted darker brown with details and plant/flower motifs in cream. It stands on four conical legs and has a large circular opening in the centre of the shared back.

Market scene made of painted and highly glazed white clay in tones of beige, blue, green, and brown. On a large square base a woman in a wide-brimmed hat stands behind her display of pottery. A baby is lying on the ground on her left side, with a younger child sitting on her right. At one corner stands a male customer wearing a backpack paying for the pot in his hand; at the other, a woman carrying a purse has her back to the scene.

Hollow, ball-shaped, orange clay head of a person with facial and neck tattoos, and other details, painted in black and reddish brown onto a beige coloured face. The back of the slightly flattened head is reddish brown surrounded with a black zigzag border. Small rounded ears are pierced and there are openings in the heavy browed and multi-lashed eyes, nostrils and wide mouth.

Toy airplane. Small glazed clay airplane, painted reddish brown and cream, has a front propeller and stands on pinched tripod legs. Zigzag and linear designs in brown and black decorate top and faces looking out from windows are painted in black down both sides.

Model of a processional float for "El Sr. de la Resurreccion de Huamanga" made of orange clay, painted cream, red and brown. Religious praying figure stands atop a loaf-shaped mound built onto four square legs with carrying posts. Festooned with numerous tall candles(?) and ornate structures at each corner.

Hollow orange clay head of a Canelos Quichuan person has facial tattoos and other details painted in reddish brown and black onto a beige background. There is a large hole in each earlobe surrounded with painted rays, another just above each lobe and in centre of mouth. Figure wears a headdress with two birds at front and the base of neck flares out like a pottery foot.

Hollow orange clay head of a Canelos Quichuan person has facial tattoos, beard and fringed hair-style painted in black onto a cream-coloured background, and one band of the neck tattooed in red. Tiny pinched ears project from the head, as does a pointed nose with painted nostrils. Mouth is painted red and cut out to show tiny individual sharp teeth.

Thin walled, hollow clay female figure (Spirit of the Garden Plot) is slightly bell shaped at base. Figure has painted reddish brown and black clothing, black hair and black facial tattoos over cream coloured skin. Arms were attached with small pieces of clay that were not worked in to the clay body.

Hollow, light gray clay oval head on short neck is painted light yellowish brown with dark brown hair, beard, facial tattoo and outlines around eyes, mouth, and pinched ears and eyebrows. Oval openings have been cut into eyes and mouth.