Round, lipped, hexagonal jar; each side has a stamped floral design; curvilinear design incised on shoulder; monochrome green glaze on exterior surfaces; hexagonal indented base; irregularly applied brown slip on interior surface.

Tall circular jar, wider at shoulder than base; short narrow neck and thickened lip. Three perpendicular calligraphy figures on one side; five on the other. Small paper sticker on mouth reads 'Made in Japan'. Cork on bottom.

One-wick oil lamp made from fairly fine-grained buff clay with a reddish-brown slip. The body is circular as viewed from above, has a rounded shoulder, and walls that taper inwards to a flat base. The top centre is concave with a filling hole set slightly off-centre. There is a vertical pierced disc handle with two shallow incised grooves, the short, rounded nozzle is set off from the body by a faint transverse line, and the flat base is delineated by a faint circle with a trace of a plant impression in the middle.

Figure's head composed of red-brown, coarse-grained clay with a light brown-green lead glaze. The figure has a broad forehead and overhanging eyebrows and wears a turban-like headcloth.

Grey-bodied stoneware bowl on single ring pedestal base with flat outturned foot. Body has straight sides expanding to mouth with outturned rim. Slightly crackled grey glaze enamelled overglaze in red, orange, black, green, brown, white and yellow. Design on outside includes (bottom and top) zigzag band of black lines enclosed by black bands, band of red inverted square u-forms outlined in black; band consisting of four rectangular panels containing four different plants, space between panels filled with red brocade pattern; brown band with black frets. Black and red band inside rim. Two character mark 'great mountain' in lozenge.

Grey-bodied stoneware bowl with crackled glaze, on single ring pedestal base with straight sides expanding to mouth, and outturned rim. Enamelled overglaze in four shades of green, yellow, red, black, white and light red. On outside is band 6.5cm wide with overall floral, leaf and irregular scroll design and two peacocks. On inside of bowl at bottom are three oval patterns in light red outlined in yellow arabesques, surrounded by band of half marquises in black, white and grey. On inner edge of rim is band of squat half-marquises enclosing elaborate t-forms in black white and grey.

White bodied porcelain bowl on single ring foot, 2.2 cm high with inscription of two-character ring mark (O Getsu) on underside of base. Sides expand slightly to rim. On outer surface is a design of blue parallel lines ending in a scroll-like pattern, radiating out from foot. On sides is a series of simple coils in blue and gold interspersed between three red circles with white flowers. Inside design is very complex, including central floral design surrounded by ring of brocade with three bat figures ? and around inner surface of sides are geometric shapes filled with brocade and three U shapes with floral design, all multi-coloured.

Round shallow bowl of white bodied porcelain on single ring foot; red 4 character mark under base 'Kutani Taniguchi'. Sides somewhat rounded, expanding to rim, which is outturned, pinched upward in 4 places. Bowl is white, with blue and black rings around foot and leaf design in grey and black on underside. Upper surface has 2 overlapping rectangular panels painted over-glaze in brocade designs, one red and gold, the other light blue with white. Clustered at one side of bowl and scattered to other side are blue and white flowers with yellow centres; brown leaves with gold veins. Large chip under rim.

Moulded terra cotta oil lamp, with round disc-shaped body and small filling hole set in a concave recess. A nozzle extends from the body. The top is incised with short rows of herringbone design and there is a design resembling an animal's hind leg opposite the nozzle. There is a seam sealed around the outer edge of the lamp. On the bottom of the base is an incised circle with an inscription in the centre.

Lamp made of pale buff, fine-grained clay and coated with a bright orange slip. The body is circular as viewed from the top and has a sunken flat discus enclosed by a shoulder ring broken to form a tapering point towards the nozzle. Two suspension knobs sit on the sloping shoulder nearer the nozzle. The vertical handle is moulded and pierced with a hole. The handle is decorated on the upper side with two shallow incised grooves. The projecting nozzle ends in a rounded termination with a raised plane at the extremity of the wick-hole. The flat base is enclosed by a base-ring and is inscribed. A small wick-adjustment hole is visible at the base of the nozzle.