Lamp made from pale buff, fine-grained clay with traces of a chocolate brown, thin matte slip, unevenly fired. Body has basin-shaped walls resting on a flat base, bordered by a groove. The angled shoulder is set off from the discus at the top centre by three concentric grooves. At the centre of the discus in high relief is the figure of a standing cock depicted in profile. The filling hole is below the figure's chest. The lengthened nozzle has a rounded termination and is flanked by double volutes.

Clay jug made of light orange/red, fine-grained, hard-fired, full of white limestone particles and dark grits. Grey/white slip covers entire surface. Grey/black and red, thin, matte paint. Originally spouted vessel has a low ring base, oval shaped body, short narrow neck, flaring mouth and vertical handle from rim to shoulder. The decoration consists of a black band on neck, a band at junction of neck and body, a frieze of concentric circles on shoulder, a large group of black bands framing two broad red bands in central portion of body, a broad black band on lower body, strokes on handle and three rings on the inside of the mouth. Spout missing.

Grey, clay jus with a cream slip with white limestone particles. Fairly thick slip and dark brown, thin matte paint. Fairly high ring foot, squat globular depressed body, tall neck with moderately flaring rim, vertical strap handle from neck to shoulder with horned projection at its top. Decoration consists of vertical and horizontal latticed bands and vertical rows of lozenges on body, short rows of stippling on rim and horned projection, zigzag pattern on handle.

Grey, clay jar with a cream slip. The jar has a round body and stout neck with a turned rim. There are two tall, semi-circular handles on either side. A black geometric design of diamonds, lines and dots is painted around the body.

Jug made of red fine-grained clay, glazed with white filling in incised decoration. Pyriform body, narrow cylindrical neck, small bell rim. Handle originally from rim to shoulder. On neck are two groups of six or seven encircling grooves. On body a group of five encircling grooves below which is a row of large contiguous hatched lozenges, each divided in half by encircling groove in the centre of the pot. A group of seven encircling grooves around bottom of body.

Jug made of red, fine grained clay, glazed with white filling in incised decoration. Pyriform body, narrow cylindrical neck. Small bell rim. Semi-circular, rounded handle from rim to shoulder. On neck are two groups of seven encircling grooves, then a frieze consisting of four circular motifs set on a central defining line which divides each motif in half. One half of the circle consists of eleven concentric lines defining a half circle. The other half circle consists of two concentric lines framing oblique strokes. The circular motifs alternate these elements above and below the line. Ten encircling lines at bottom crossed by groups of oblique strokes at irregular intervals.

Octagonal, grey bodied stoneware dish, or bowl, on flat base with glazed ring foot and several rough spur marks under base and on foot. Sides are thick (0.5cm), straight and slightly flared. On outside of each facet is a white trapezoid, enclosing a design of two stylized white chrysanthemum patterns, with leaves and stems in black. Above and below trapezoids are white lines around circumference of bowl. Inside bowl on each facet is rough design of three leaves in white slip, above which is a line and a band of geometric pattern. Heavy grey glaze, somewhat crackled, with dark spots.

Ceramic figure of Kwannon. Figure is feminine representation, kneeling on one knee and holding a scroll in both hands, with hair dressed on top of head, covered by a high headdress. Robes, in several layers, are white with light blue/green edges, enamelled overglaze with white dots and scroll patterns, and with blue, green, red, and hold leaf designs. Figure has red and gold waistband, gold necklace and hair ornament.

Bottle of red-bodied ? stoneware, on round base expanding slightly to sides of bottle, which are seven-facetted. Sides contract slightly to neck, which is narrower and round, then flares to round concave rim. Sides are translucent, covered with grey-white glaze, uneven and pitted, with heavy layer of red-brown clay adhering around base.

Round clay jar with lightly pitted surface. Narrow opening with raised rim. Blue uneven horizontal stripes visible through glaze with light cracks radiating from bottom. Red mark on rim of base.