Red-brown clay jug, fired to a grey-buff on the surface. Coarse-grained and full of small light and dark impurities, porous. Flat base, body rounded in lower half where it reaches its maximum diameter then becomes straight walled as it narrows to rim. No neck; plain tall rim, slightly everted and flattened on top. Flat vertical strap handle attached to rim and lower portion of body. Lower half of body bears broad shallow ridges.

Human figure made of grey/brown clay, fully modelled. Figure represents a man seated on the ground with hair in a top-knot, painted black with one arm raised, the other resting on his knee. Dressed in loose shirt and rolled-up trousers with bare feet. Beside him is bundle of sticks or straw.

Doll with a separate body (a), and a head (b) made of light red clay. Body is cone-shaped with arms against the body, slightly moulded, painted blue, orange, white, and gold. Neck is greatly extended with a groove on top on which wire inside the head rests. Head is in shape of hollow hemisphere with wire set transversely inside and with a green head cover, black hair, blue eyes, and a red mouth.

Pot (part b) with carved dark brown wood figure (part a) on top. Figure (part a) is sitting with his hands on his knees and with a dried and cracked encrustation over the upward pointing, dark brown hair on the head. Hair is bound with string to form a tuff on top of the head. Base of the figure fits into the pot. Clay ginger pot (part b) of Chinese origin with a six-sided base, and a circular top covered on the outside with a string in woven pattern. There is an encrustment over the string. String handle on pot which looks fragile but is in good condition.

Round, lipped, hexagonal jar; each side has a stamped floral design; curvilinear design incised on shoulder; monochrome green glaze on exterior surfaces; hexagonal indented base; irregularly applied brown slip on interior surface.

Tall circular jar, wider at shoulder than base; short narrow neck and thickened lip. Three perpendicular calligraphy figures on one side; five on the other. Small paper sticker on mouth reads 'Made in Japan'. Cork on bottom.

One-wick oil lamp made from fairly fine-grained buff clay with a reddish-brown slip. The body is circular as viewed from above, has a rounded shoulder, and walls that taper inwards to a flat base. The top centre is concave with a filling hole set slightly off-centre. There is a vertical pierced disc handle with two shallow incised grooves, the short, rounded nozzle is set off from the body by a faint transverse line, and the flat base is delineated by a faint circle with a trace of a plant impression in the middle.

Figure's head composed of red-brown, coarse-grained clay with a light brown-green lead glaze. The figure has a broad forehead and overhanging eyebrows and wears a turban-like headcloth.

Grey-bodied stoneware bowl on single ring pedestal base with flat outturned foot. Body has straight sides expanding to mouth with outturned rim. Slightly crackled grey glaze enamelled overglaze in red, orange, black, green, brown, white and yellow. Design on outside includes (bottom and top) zigzag band of black lines enclosed by black bands, band of red inverted square u-forms outlined in black; band consisting of four rectangular panels containing four different plants, space between panels filled with red brocade pattern; brown band with black frets. Black and red band inside rim. Two character mark 'great mountain' in lozenge.

Grey-bodied stoneware bowl with crackled glaze, on single ring pedestal base with straight sides expanding to mouth, and outturned rim. Enamelled overglaze in four shades of green, yellow, red, black, white and light red. On outside is band 6.5cm wide with overall floral, leaf and irregular scroll design and two peacocks. On inside of bowl at bottom are three oval patterns in light red outlined in yellow arabesques, surrounded by band of half marquises in black, white and grey. On inner edge of rim is band of squat half-marquises enclosing elaborate t-forms in black white and grey.