White bodied porcelain bowl on single ring foot, 2.2 cm high with inscription of two-character ring mark (O Getsu) on underside of base. Sides expand slightly to rim. On outer surface is a design of blue parallel lines ending in a scroll-like pattern, radiating out from foot. On sides is a series of simple coils in blue and gold interspersed between three red circles with white flowers. Inside design is very complex, including central floral design surrounded by ring of brocade with three bat figures ? and around inner surface of sides are geometric shapes filled with brocade and three U shapes with floral design, all multi-coloured.

Round shallow bowl of white bodied porcelain on single ring foot; red 4 character mark under base 'Kutani Taniguchi'. Sides somewhat rounded, expanding to rim, which is outturned, pinched upward in 4 places. Bowl is white, with blue and black rings around foot and leaf design in grey and black on underside. Upper surface has 2 overlapping rectangular panels painted over-glaze in brocade designs, one red and gold, the other light blue with white. Clustered at one side of bowl and scattered to other side are blue and white flowers with yellow centres; brown leaves with gold veins. Large chip under rim.

Moulded terra cotta oil lamp, with round disc-shaped body and small filling hole set in a concave recess. A nozzle extends from the body. The top is incised with short rows of herringbone design and there is a design resembling an animal's hind leg opposite the nozzle. There is a seam sealed around the outer edge of the lamp. On the bottom of the base is an incised circle with an inscription in the centre.

Lamp made of pale buff, fine-grained clay and coated with a bright orange slip. The body is circular as viewed from the top and has a sunken flat discus enclosed by a shoulder ring broken to form a tapering point towards the nozzle. Two suspension knobs sit on the sloping shoulder nearer the nozzle. The vertical handle is moulded and pierced with a hole. The handle is decorated on the upper side with two shallow incised grooves. The projecting nozzle ends in a rounded termination with a raised plane at the extremity of the wick-hole. The flat base is enclosed by a base-ring and is inscribed. A small wick-adjustment hole is visible at the base of the nozzle.

Lamp made from pale buff, fine-grained clay with traces of a chocolate brown, thin matte slip, unevenly fired. Body has basin-shaped walls resting on a flat base, bordered by a groove. The angled shoulder is set off from the discus at the top centre by three concentric grooves. At the centre of the discus in high relief is the figure of a standing cock depicted in profile. The filling hole is below the figure's chest. The lengthened nozzle has a rounded termination and is flanked by double volutes.

Clay jug made of light orange/red, fine-grained, hard-fired, full of white limestone particles and dark grits. Grey/white slip covers entire surface. Grey/black and red, thin, matte paint. Originally spouted vessel has a low ring base, oval shaped body, short narrow neck, flaring mouth and vertical handle from rim to shoulder. The decoration consists of a black band on neck, a band at junction of neck and body, a frieze of concentric circles on shoulder, a large group of black bands framing two broad red bands in central portion of body, a broad black band on lower body, strokes on handle and three rings on the inside of the mouth. Spout missing.

Grey, clay jus with a cream slip with white limestone particles. Fairly thick slip and dark brown, thin matte paint. Fairly high ring foot, squat globular depressed body, tall neck with moderately flaring rim, vertical strap handle from neck to shoulder with horned projection at its top. Decoration consists of vertical and horizontal latticed bands and vertical rows of lozenges on body, short rows of stippling on rim and horned projection, zigzag pattern on handle.

Grey, clay jar with a cream slip. The jar has a round body and stout neck with a turned rim. There are two tall, semi-circular handles on either side. A black geometric design of diamonds, lines and dots is painted around the body.

Jug made of red fine-grained clay, glazed with white filling in incised decoration. Pyriform body, narrow cylindrical neck, small bell rim. Handle originally from rim to shoulder. On neck are two groups of six or seven encircling grooves. On body a group of five encircling grooves below which is a row of large contiguous hatched lozenges, each divided in half by encircling groove in the centre of the pot. A group of seven encircling grooves around bottom of body.

Jug made of red, fine grained clay, glazed with white filling in incised decoration. Pyriform body, narrow cylindrical neck. Small bell rim. Semi-circular, rounded handle from rim to shoulder. On neck are two groups of seven encircling grooves, then a frieze consisting of four circular motifs set on a central defining line which divides each motif in half. One half of the circle consists of eleven concentric lines defining a half circle. The other half circle consists of two concentric lines framing oblique strokes. The circular motifs alternate these elements above and below the line. Ten encircling lines at bottom crossed by groups of oblique strokes at irregular intervals.