Red clay sherd of a hollow foot, white slip paint with incised toenails, protruding heel and cylindrical shaped ankle.

Dark grey, square shaped, clay sherd; semi-circular handle with an oval shaped hole underneath. Pottery is pitted.

Red clay sherd, semi-spherical handle with a twisted, rope-like, design.

Clay sherd consisting of handle; red clay that has been white slipped. Flat, smooth underside or interior.

Red clay sherd, semi-circular in shape with a hollow inside; white slip and black painted decoration consisting of 2 bands on either side of a central v-shaped design with x’s on top. Pitted surfaces and white/yellow blotches.

Approximately two-thirds of a shallow red clay bowl with a white slip. Salt residue marks the entire sherd.

Approximately half of a shallow red clay bowl; base is complete and has a ring of raised circles around the inside creating a flower-like design. Interior of bowl has a white slip that runs over the brim and around the edge of the bottom side.

A fully modelled ceramic bull of light orange clay, crudely painted white with details in brown paint and green slip. Details of harness and saddle are flat while flowers, tail, tongue etc., are modelled additions. The bull is hollow with a small strap handle in front of the vessel mouth on the animal's back. The loops of fat at the front of the neck, which are part of the ritual cutting and featured prominently.

A fully modeled ceramic church with a domed bell tower and a peaked roof surmounted by a cross. Loosely painted in light and dark brown with details in dark orange and brown. Details of clock and bells are modeled additions.

A very large ceramic church of orange-fired clay, crudely painted in off-white with details in two shades of brown. The single tower with dome and bell is surmounted by a cross. Modelled additions are used for the clock and architectural statues. Five modelled humans appear in three doorways. Some chipping and cracking around the base.