Approximately half of a shallow red clay bowl; base is complete and has a ring of raised circles around the inside creating a flower-like design. Interior of bowl has a white slip that runs over the brim and around the edge of the bottom side.

A fully modelled ceramic bull of light orange clay, crudely painted white with details in brown paint and green slip. Details of harness and saddle are flat while flowers, tail, tongue etc., are modelled additions. The bull is hollow with a small strap handle in front of the vessel mouth on the animal's back. The loops of fat at the front of the neck, which are part of the ritual cutting and featured prominently.

A fully modeled ceramic church with a domed bell tower and a peaked roof surmounted by a cross. Loosely painted in light and dark brown with details in dark orange and brown. Details of clock and bells are modeled additions.

A very large ceramic church of orange-fired clay, crudely painted in off-white with details in two shades of brown. The single tower with dome and bell is surmounted by a cross. Modelled additions are used for the clock and architectural statues. Five modelled humans appear in three doorways. Some chipping and cracking around the base.

Fouteen spindle whorls threaded on handspun cotton yarn; six are convexly conical, of incised black on orange ceramic; one is flat ceramic disc; four are globular or conical stone (?), these are green (three) and yellow (one). One of the green is half missing and two are decorated with drilled, dotted circles. The yellow is plain. Two whorls are made of yellow shell; one truncated biconical whorl is made of metal and is now covered in green deposit. All whorls have a central hole.

Squatting figure; right arm broken off at torso, right leg, left arm and leg broken off leaving stumps of different lengths; open hollow mouth; hollow nostrils; slanting hollow eyes; slanting forehead; three horn-like appendages, one on top of head, one on each side of head; colour red-brown with light grey neck and front horn-like appendages; light grey circle around right horn-like appendage; hollow with loose material inside; 'R.20.' inscribed in black letters on back.

A white ceramic burner (part a) that has a band of incised key patterns with four stylized dragons. Stand (part c) and lid (part b) are bronze inlaid. The wood lid (part b) is intricately carved with two tailed creatures around the central bud-shaped knob. The wood stand (part c) has a flower at the centre with a floral design on each of the three petal-shaped protrusions.

Mask depicting a yellow creature's head with bushy black eyebrows, pointed ears, large upward looking eyes, flared round nostrils and a wide open mouth exposing eighteen upper and fifteen lower large pointed teeth. There is also a plume-like protrusion between the eyes. Two pieces of twine, two pieces of bark ? and one piece of nylon are attached at the back.

Mask depicting a humanoid face with black hair composed of rounded ridges, thick black eyebrows, small pointed ears, bulging eyes with a crescent-shaped slit under each, a bulbous nose, and an open grimacing mouth with red lips and white teeth bordered in black. Ridged wrinkles on forehead and cheeks. The chin is short with a slight dimple at the centre. There are two holes either side of the mask at the hairline.

Container with a lip at the mouth, and a tall neck. The neck flares into a rounded body, which then tapers back to a narrow base with a flared foot.