Pottery bowl with glaze patterns in turquoise blue and off-white, with smaller designs in dark brown. The round bowl has deep sides, a wide lip and a footed base. The base is unglazed and has written inscriptions with date and place information.

Small, round, Multan pottery teapot (part a) with lid (part b). Uneven blue glaze with uncoloured patches, covered in clear glaze. Lower section and base are unglazed. Spout on one side, handle on the other side. Inside of teapot and top of round lid are glazed in the same pattern. Lid has a small knob on top.

Multan pottery vase. Floral and geometric designs painted in dark blue and turquoise, with a white glaze. Vase is somewhat hour-glass shaped; the lower sides indent toward the round, unglazed base. The inside is mainly unglazed except for the top 4 cm which have uneven glaze over unpainted clay. Some small chips around the rim; five chips of surface material missing around lower body.

Large round pot with a wide circular opening and tall lip. Shoulder curves out sharply before gently tapering to a small circular base. Exterior of pot is painted solid white and decorated with six bands of varying widths. Lip is decorated with two bands, trimmed with white borders, that are made up of squares. Squares are filled with an assortment of geometric motifs; done in white, black and dark red. Middle of pot is decorated with a wide band filled with an alternating design of irregular shapes; top edge is bordered with semi-circles, bottom has a plain border. Shapes alternate between design and the edge they extend from. Shape extending from top edge has a square-like top, circular middle and tiered rectangles, with rounded tips, on bottom. Stair-like design frames the tiered rectangles. Shape extending from the bottom edge is a rectangle with a rounded top; bent arrows protrude from either side. Three tiered rectangles frame the bottom of the shape. Both irregular shapes are filled with geometric motifs; done in dark red, black and white. Large insects are painted in between the shapes. Three bands decorate bottom third of pot. Top two are similar to bands around lip; third is filled with white arches, with the negative space painted black. Interior of pot is lightly painted white to the midpoint; bottom half is natural clay. Artist signature painted along edge of base.

Round white pot with a wide circular opening and straight lip. Shoulder curves out sharply before gently tapering to a small circular base. Base is concave. Lip and shoulder are white and decorated with rows of imprinted semi-circles; black band painted where lip and shoulder meet. Band has a meander-like pattern, made up of white triangles. Edge above base is painted white. Four rectangular panels painted along sides of pot, divided by white lines. All panels have an identical design consisting of a diagonal band, stretching from the bottom left to the top right corner, creating two triangles in the top left and bottom right corners of the rectangle. Band has a white zigzag through the centre, creating an alternating triangle motifs; top triangles are orange, bottom ones are white with black lines throughout. Top triangle is filled with smaller triangles, ovals, diamonds and a meander-like pattern; done in black, white and orange. Bottom triangle is filled with smaller triangles, intersecting lines and floral motifs; done in black and white. Artist signature painted across base; pencil inscription along edge.

Ceramic figure of a female storyteller. She is depicted sitting, with her legs stretched out straight in front of her, and holding a circular container. Three children are sitting on her legs, one is holding her left hip and she has three children balanced on each arm. All figures are white. She has a smooth circular face, with a thin pointed nose and round open mouth. Her eyes are painted closed; done in black, mouth is dark pink. Black hair is painted along the top, back and sides of her head; two buns protrude from either side, with pink hair ties wrapped around them. There is a butterfly on the side of her left bun. She is wearing tall boots, a long-sleeved dress, and necklace. Boots are white with black soles and black line decorations. Necklace consists of pink beads with matching fringe extending from the beads; inverted "U" pendant in centre of necklace. Dress is mostly black with white scalloped trim along the bottom edge. Sleeves, pointed collar and upper left section of dress are white. Sleeves are trimmed with black and pink stripes. Wrapped around her waist is a pink belt, that ties on the right side, with black geometric designs throughout. The container she is holding is white with a small circular opening in the top centre; animals motifs painted across surface, in black. The children all have black hair; boys have short hair, girls have braids. Their eyes consist of curved lines and mouths are oval-shaped. They are wearing an assortment of outfits, consisting of overalls, buttoned shirts, vests and short-sleeved shirts; done in black, orange, pink and white. A majority of the children have their hands stretched towards the storyteller's container. One child, sitting on the storyteller's left leg, is holding a small black bird. Artist signature painted on base of figure.

Famille rose porcelain vase with a flared lip, cylindrical neck, oval-shaped body, and flat base with a raised foot; carvings of a creature, holding a red ball, on either side of neck, function as handles. Opening and bottom edge of vase are trimmed with decorative bands; borders are filled with intersecting lines, floral motifs, and four irregularly-shaped ovals spaced throughout. Ovals are filled with different designs; opening border ovals filled with additional floral motifs, bottom border ovals depict structures and surrounding landscapes. Rest of vase surface is decorated with a various scenes; including people at court, boating, and walking through gardens. Sticker attached to vase base.

Famille noire, tall vase decorated with pink blossoms and peaches on a black background. Vase has a slightly flared lip and long neck that curves outward into a rounded body; base is flat with a small raised foot. Entirety of vase is covered in flowering branches with leaf offshoots, a variety of flowers in shades of pink, and nine peaches. Red seal stamped at centre of base.

Talavera pottery. Round plate with raised wavy lip and dark blue scalloped rim. Painted floral designs on the front of the plate. At centre, a cross with four arms of equal length within a four-point shape surrounded by brown flowers with yellow colouring around dark blue centres. Around the lip, repeating designs with dark blue fern-like leaves behind. Glazed on front and back. Single hole through the raised edge on the base. Signed Talavera Loza Blanca.

Standing owl candle holder with small birds perched on its head, and to its sides on small logs. The birds are brightly coloured, with exception to two small black and white owls perched on the brow. Small cylindrical tube extends up from top of head, painted green with white and blue bands, and two smaller red bands over the white. Behind the two green logs are round openings on either side of the owl. The owl has a blue face with large yellow eyes. The wings are purple, outlined in red and black, and the chest is filled with horizontal bands of varying patterns in bright colours. The back is painted a light yellow, with green fern-like leaves overtop. Stands on three feet. Artist's mark on base.