Large partially glazed stoneware mug with a cylindrical body and wide handle. Lip flares out at the top and bottom edge, middle is concave. Walls of mug are straight before slanting at bottom, to a flat base. Towards right side of mug, there is a raised swirl-like design, consisting of circles, comma-like shapes and semi-circles; coloured in black. Area surrounding design is unglazed but coloured blue-purple. Rest of body is glazed olive green and blue-purple; olive green at top before transitioning to blue-purple. Handle is glazed; lip is unglazed. Interior of opening is olive green, walls are blue-purple. Maker's mark carved on base, underneath handle; additional markings in centre.

Large partially glazed stoneware mug with a cylindrical body and wide handle. Lip flares out at the top and bottom edge, middle is concave. Walls of mug are straight before slanting at bottom, to a flat base. Towards front centre of mug, there is a raised swirl-like design, consisting of circles, comma-like shapes and semi-circles; coloured in black. Area surrounding design is unglazed; rest of body is olive green. Handle is glazed; lip is unglazed. Interior of opening is olive green, walls are blue-purple. Maker's mark carved on base, underneath handle; additional markings in centre.

Stoneware figure of a reclining walrus, supported by its foreflippers. Figure has large incised eyes, deep oval-shaped nostrils, an open mouth and two white tusks; tusks connect with belly of walrus. Small dots punctured across snout. Foreflippers have four semi-circles indented along the bottom edge, highlighting digits. Wide lines incised around neck. Hind flippers are curved to left of body. Figure is hollow and base is unglazed; rest of body is dark brown with brown-red highlights throughout. Unsigned.

Raku ceramic pot with rounded shoulders and a bulbous body, that tapers to a small flat base. Shoulders done in a beige-pink with raised white dots throughout; white rings around opening and where shoulder meets body. Body done in beige-green with dark brown and metallic patches throughout. Raised white dots and curvilinear motifs across surface; additional incised curvilinear designs throughout. Base is black and unglazed; incised artist signature covered by a cloth label.

Grey-white parabolic vase with an oval-shaped opening and slightly flared lip. Shoulder tapers in before gently flaring out towards bottom; bottom of shoulder protrudes out slightly. Three lines circle body of vase from bottom of shoulder to base, at a downward angle; done in dark blue. Two wavy flutes carved along centre of front and back of vase; blue lines become wavy overtop the flutes before straightening out again. Opening and shoulder are glazed, body and base are unglazed. Maker's mark stamped on base.

Deep ceramic bowl with fluted exterior walls. Flutes cover main body, before walls taper to a narrow base with a raised foot. Grey-coloured glaze inside, with a dark blue trim around opening; unglazed exterior is white with dark blue-black designs throughout. Designs consist of plain lines, dots and a large swirl; lines are around opening, dots along flutes, and swirl extends from bottom of flutes to foot. Maker's mark stamped along edge of foot.

Glazed bowl with a wide rim that tapers into a small base with a high foot. Rim is ringed with white before shifting into golden-beige; beige darkens closer to centre. Bottom of bowl is an iridescent purple-blue. Foot is done in dark brown and has a protruding circle at the front; done in dark blue. Bottom edge of foot has highlights of purple. Cloth tag attached to base.

Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Stoneware figure of a bear with its head titled back. Bear is attached to two rectangular bases; one base underneath forelegs and one below hind legs. Figure has indented circular eyes and nostrils, two semi-circular ears and an open mouth with four white teeth; interior of ears and nostrils are painted olive green. Four ovals incised along front bottom edges of paws, imitating claws; small rounded tail protrudes from back. Figure is hollow and bases are unglazed; rest of body is brown-grey with dark brown speckles throughout. Larger dark brown circles painted across back. Artist signature incised along edge of back rectangular base.

Stoneware figure of a standing man; arms at sides, hands curved around stomach. Face consists of incised eyes, a pointed nose and open mouth; moustache, eyebrows and pupils are painted on. Man has dark brown bangs and side burns; incised lines throughout hair. Figure is wearing a hooded parka, short pants, mittens and tall boots. Parka and pants are dark blue; boots and mittens are dark brown. Parka cuffs and hood opening are trimmed with light grey and dark pink; bottom of parka trimmed in dark pink with yellow spots. Figure is hollow; face and base are unglazed. Unsigned.