Circular tripod bowl with a wide mouth and globular body. Lip of opening is high and flares outward slightly. Sides of body are lobed; tops have a raised curve, bottoms flatten towards bowl base. Legs are oval-shaped and squat.

Hollow ceramic head wearing a headdress. Eyes, nose and lips are carved in relief. Eyes are oval-shaped, painted black and have holes drilled in their centres; black eyebrows painted above. Small holes drilled into bottom of nose, imitating nostrils. Mouth is open with the bottom lip sticking out. The head has protruding ears with holes drilled through the lobes. Holes are trimmed with black paint. Headdress has long panels that hang down the back and sides of the face. Panels and edges are carved in relief and painted black. Rectangle-like protrusion, with rounded front, carved in relief on top of headdress. Curved edge visible from front of headdress, remainder visible from back. Rest of headdress, covering top and back of head, is sunken and undecorated.

Shiwan style pottery figure of Su Wu, the faithful diplomat of the Han Dynasty who was forced to become a sheep herder, wearing long flowing robes glazed in a copper-red plum glaze, with a wood staff and long white beard. He has a small white ram at his feet and a long cord of shells wrapped around the top of his staff. Figure is hollow. Interior has impressed artist mark and is inscribed with the artist’s signature.

Shiwan stoneware figure of Li Tieguai, the Daoist immortal who represents the sick and poor, dressed in beggar’s clothes and seated, with hands on his right knee, on a large double calabash gourd (hulu), glazed in copper red. The male figure is partially wrapped in a white blanket, and wearing a white knotted headband. Underneath him is a long crutch. The piece is hollow and stamped with the artist's seal along the bottom edge. Characters written along interior.

Pottery horse with partial sancai (three colour) glaze. Off-white standing horse with the saddle area and nose glazed in sancai colours of red and amber. The horse's head is slightly turned to the left, and it wears a green saddle on a chestnut coloured blanket. Red decorations across saddle. Predominantly unglazed body with areas of chestnut brown on the nose and forehead, and green and brown on the saddle. The horse is standing four-square on a rectangular base and has a short tail. Body is hollow.

Tang-style, sancai (three colour) glazed horse and female rider. Most of the horse and rider are glazed with amber, green and yellow, however the head of the rider is unglazed. The chestnut coloured horse has its head turned and is wearing a green saddle and blanket. The female rider is seated, wearing a chestnut coloured shirt and pants, and a green vest. The horse is standing four-square on a rectangular base and has a short tail. The horse body is hollow.

Pottery court figure. The standing woman wears a long elegant robe with both hands hidden in her sleeves. She has a rounded face with pink lips, pronounced cheeks, and a double chignon. The long robe covers her feet. Unglazed, with pale traces of paint throughout. Figure is hollow.

Sancai (three colour) glaze pottery court figure on an irregular-shaped base. The slender standing figure is wearing long court robes while slightly turning to one side, her face round with a double chin and high chignon, a scarf over her long amber dress reveals two upturned shoes. The glaze is predominantly brown, green and yellow tones. Figure is hollow.

Shiwan style pottery figure of the goddess Guanyin, the Buddhist bodhisattva of mercy in female form wearing long flowing priestess robes, glazed in celadon. She is standing and wearing a long, full light blue hooded robe, holding a baby boy in her left arm. She wears a golden brown headdress, with green gems, and a matching necklace. Figure is hollow. Interior has maker’s seal, impressed signature, and is signed by the artist.

Pottery court figure. The standing woman wears a long elegant robe, with both hands hidden in the sleeves. She has a rounded face and pronounced cheeks, with a single chignon. Her long, pale pink robe covers her feet. Unglazed, with pale red traces of paint. Figure is hollow.