This Kachina is one of a group that was commissioned and has not been clearly identified. He wears a helmet-style mask and a raised headband in the front. He has a tubular-shaped nose. The top of the head is decorated with feathers with an additional bunch tied near the neck. The figure is elaborately dressed with complete cotton shirt and skirt, both painted with traditional designs. The tall hide boots are fringed.

This unknown kachina character has a clown-like, painted face and fur-decorated head. He wears a fur vest and a fabric and yarn dance skirt. He wears yarn around his wrists and legs. The rest of his decoration is painted.

These wooden snow shoes are constructed with upturned, pointed tips. They are decorated with both red paint as well as red Stroud cloth which has been added as small red squares along the edges and covering the edges of the center sections. The red cloth is also wrapped around the curved wooden members that make up the external structure of the snow shoe. At the center of each shoe's right and left side, hide thong is wrapped over the red cloth section to secure it.

Museum Expedition 1911, Museum Collection Fund

Doll with horsehair braids decorated with blue and white streamers. Buckskin dress with a green, white, blue, and red belt with buckskin boots. Lovely big feet where the beadworker probably used left over beads as they are many colors. She wears long, dangling beaded earings.

The object is a spear case that is part of material purcased as belonging to Red Cloud. It has a long tubular hide section at the top and an attached triangular-shaped hide pouch at the bottom. The tubular portion contains cut out geometric patterns and is edged with red and blue woolen cloth that is attached with hide binding. It has two loosely attached beaded hide rectangles trimmed with red woolen cloth and fringed at one end. The front of the pouch portion has blue, white, red and yellow beadwork forming vertical triangular designs in different sizes. It is edged with long hide fringe strips. This type of Crow case was often carried across the saddle of women to honor their husbands as seen in historical photographs. They are still made today for the same purpose and are an important part of Crow regalia.

Bequest of W.S. Morton Mead

Immature golden eagle feather headdress with a beaded headband. Base of feathers wrapped in red felt and made over a felt hat base. Streamers of weasel fur and cloth dangle from headband sides. These types of war bonnets were historically worn for special occasions and may occasionally be worn on the battle field (although men often wore one or two special feathers instead). A man earned the right to make one through his brave deeds. Initially he would be awarded a single feather for each deed; a coup, killing, or horse stealing success. Once he accumulated ten feathers he was generally given permission to obtain the eagle feathers for a full bonnet. Ideally they would have 28 eagle feathers and each may have additional notching to designate an event. The tips of the feathers could be tied with the horsehair if a man had counted many coups. Thus the bonnets became oral histories and each piece signified events in the warrior's life. Feathers were very valuable, i.e., 12 feathers equaled 1 horse. These were worn by warriors, not necessarily "chiefs". Only a few very high ranked warriors would have the bonnets with the long trailers down the back. Today bonnets are still made as recognition for achievements in life, dedication to their community as well as war participation. Golden eagles are a protected bird and Non-natives may not use them, buy them or transport them without special permits.

Charles Stewart Smith Memorial Fund

Hide tipi bag with beaded front design of crosses, centered in two turquoise bands edged with yellow. The sides have inset beadwork with tin cones inserted with red fabric tassels.