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Charles Stewart Smith Memorial Fund
Hide tipi bag with beaded front design of crosses, centered in two turquoise bands edged with yellow. The sides have inset beadwork with tin cones inserted with red fabric tassels.
Charles Stewart Smith Memorial Fund
This is a dark blue wool cloth dress with three bands of ribbon trim, red and white, along the bottom hem and sleeves. Individual teeth are tied in a yoke pattern on the front and back of the dress. The dress has rows and circles of brass and tin sequins on the skirt. Purple, ribbed silk binds the neck. The bottom hem has geometric cut edge so that it dips lower on each side than the front and back, a reference to historical hide dresses where the legs of the animal would be kept and oriented to the sides of the dress.
This kachina is wearing a long, painted dress, tall hide boots. He is carrying a bow and a small, striped bag in his proper left hand.
This is a kachina dressed with a painted lilt, tall hide boots, yarn armbands and a ruff around his neck of plant material.
This kachina has a face painted with dots all over. He is dressed with a long dress, belted with cords underneath a painted cape. His head has a fluffy feather headdress. He carries a staff in his proper right hand.
Stewart Culin provided the name Kjaklo for this particular kachina doll, which may not be accurate. Now identified as Kiaklo. Feathers are tied to the top of his head. His white face has painted dashes extending out from the bottom of each small eye in three different directions. On one side of his head is a small horn-shaped ear. The kachina is wearing a two-piece textile dress and sash, upon which are painted geometric designs. Around neck are a feather ruff and a disproportionately large shell amulet. Wrists are tied with colored yarn. In proper right hand is a small wooden bird- probably a duck. On kachina's feet are high, long-fringed leather boots, tied at the top with yarn. See the long story about Kiaklo in "Kachinas of the Zuni"pgs. 51-53.by Barton Wright. Involves Kiaklo searching for the middle, being counseled by Duck, and offering to guide him (he had become blind) if he put his shell around Duck. He appears every four years at the initiations of young boys ensuring they are initiated into the Kachina cult and preparing the way for the Salimopea and Kolowisi. The kachina doll is in stable and good condition; however, garment decorations reveal some paint losses. Leather is stiff and appears brittle.
This kachina has a textile snake wrapped around his neck and holds a wand in his proper right hand. His headress has two "ears" with sun forms painted on them. He wears the traditional dance skirt.
The name of this kachina is by Stewart Culin and may not be correct. This kachina has a corrugated fabric snake wrapped around his neck from front to back. He wears a fabric skirt painted with geometrics and tied with a sash. The shoes are made from hide, painted blue with reddish dark cuffs. He carries stick staffs in his hands, and wears leather fringed armbands around each arm and a fur cape. His chest and lower legs are painted red. His helmet style mask has a small, flat, painted head projecting like a horn on the proper right side. The ears of the mask are flat pieces with feathers sticking through as if earrings. There is a grid across the face of the mask with a zig zag line for a mouth. A black hair beard flows below the lower mask. Fur and feather remnants are across the top of the head.