Circular leather band wrapped with giraffe hair on which is strung twenty-five brass and copper beads of various sizes.

Oval shaped basket tray. Diagonally patterned, creating a herringbone effect. Rim joined to basket with copper wire. Dark brown-black colour.

Cylindrical with extended lip. Stylized lotus pattern band around base and around top under lip overhang. Center band: panels of geometric designs alternating with inlaid copper panels, with narrow copper bands above and below. Light brown residue inside, and on rim, traces of green patina.

Female standing on a lotus base. Head circled by a nimbus of flames. Lotus on shoulder at right is grasped in that hand, which rests on her gracefully swaying hip. Arm on the left bent at elbow, palm out, index finger to thumb. Some signs of wear from worship. Sealed; chiseled vajra design on base plate.

Standing Buddha in Gupta style. Head with ushnisha, elongated ear lobes, and urna between eyebrows. Robes are depicted by incising. Diamond marks on palms of hands.

Cast metal statue of Tsongkapa Losang Drakpa, holding the stem of one of the two lotuses representing emptiness and bodhicitta/bliss, seated cross-legged on a lotus. Textured full-monk robes depicted by incised markings. Base is sealed and incised with a stylized double vajra.

A metalwork figure in low relief seated cross-legged with the hands together in a prayer position. Projections from either sides, perhaps additional arms or flowers. Figure is wearing a headdress. Backed with copper sheet having an incised four-pointed floral-like pattern at the centre. Polychrome cord attached by a wire loop through a hole in the back at the top.

Mask representing a male humanoid face with movable eyeballs, ovoid in shape, that are wired into open sockets. Nose with rounded tip and flared nostrils. Very wide mouth extending to small ears. Hinged lower jaw with a protruding lower lip. Grey string beard and moustache. Black cloth behind mouth opening. The Mask is pink with black lines on the forehead, and red and white lines on the brows, cheeks, and nostrils. The bridge and tip of the nose are painted yellow.

Traditional shield-shaped whole copper with a T-shaped raised design element that divides the bottom section in half and separates the top section from the bottom.

Rectangular piece of abalone fitted into a frame of copper. Two perforations at opposite sides.