An off-green-white square panel-shaped snuff bottle (part a) that is carved with geometric linear designs of multi-linear interlocking upright, and inverted U-shapes. There is a stopper (part b) that is made of orange-pink coral (?) encased in brass (?).

A headdress with a high vertical rounded front and flat top sloping downward to the back which is a shorter vertical band. Frame is of wire covered with intricately interlaced bands of black silk braid and fabric. Attached to the headdress with wires, there are highly perforated and layered gold-coloured brass roundels in the shape of flowers and leaves, all inlaid with various shades of bright blue kingfisher feathers outlined with metal. On and around them, there are many ornaments mounted on wires which include the following: bats made of pearls, flowers made of pink glass, gemstones inset in metal, green stone butterflies, and a large roundel of pink quartz. From the front of the headdress, there are suspended strands of pearls with coloured stone butterflies in the middle and stone drops at the end.

Ornament made of elaborately knotted blue-green silk cord, with three large tassels attached at the end opposite the loop formed by the cord at the upper end of the ornament. Below the loop is elaborate knot with six loops protruding from the sides, below which is a silver ornament strung on the cord, with a coral bead at each end. Below the silver ornament is another elaborate knot, below which are suspended the three tassels, each wrapped at the top with fine silk thread of the same colour as the tassel. The silver ornament is urn-shaped, with a loop at each side from which hang silver butterflies each with two red and two blue enamel dots. There is a raised Chinese character on each side of the urn, on each side of which are panels inlaid with yellow, blue, and brown enamel. Above the urn are floral shapes formed of silver inlaid with coral beads.

Open-top hood made of purple floral-patterned silk damask with added ear-flaps of fuschia silk damask lined with white rabbit fur, with a loop at the end of one and embossed brass button at the end of the other. The hood is constructed of two halves sewn together at the centre of the forehead and centre back, but with an opening at the top edged with black piping ending with a short slit at the back. The hood is cut straight across the forehead with two deep scallops edged with black piping on each side. It is edged entirely with two layers of skin with black fur, one facing inside and the other facing outside.. A string of coral-coloured beads crosses the opening from front to back, ending in a broken jade disk at the back, below which are seven pink tassels wrapped in silver thread. At the front there an elaborate knot of gold cord, below which is a teardrop shaped piece of jade, below which are nine pink tassels wrapped in silver thread. The hood is lined with dull green cotton flannel.

Strands of multicoloured shell pieces in sections; sections divided by bars of wood; most sections are comprised of linear strands; one section in which strands cross and form diamond shaped design; two gathered ends with brown shells and red cloth.

Long multi-strand orange coloured beaded necklace. Each end has a woven fibre section. At one end of the fibre section there is a metal disk and at the other, is a woven fibre loop. At each end of the orange beaded strands are a series of larger dark blue, light orange, red and light blue beads.

Maroon velvet surcoat heavily ornamented with gold. The woman’s coat has a fitted bodice and full, calf-length skirt. The bodice and skirt are almost entirely covered with scrollwork embroidery, worked with metallic gold cord and metallic gold thread, except for a plain panel on each side of the bodice front and at the centre of the bodice back. The bodice is sleeveless in the front; there are long, flat panels that suggest sleeves, attached at the shoulders and back arms; these are worn crossed and fastened with hook and eye at the centre back below the waist. The edges of the bodice meet at centre front; although there are eight decorative buttons on each side of the centre front opening of the bodice, there is no provision for fastening. Buttons are made of metallic gold thread wrapped around a wooden core, trimmed with small coral beads. Smaller buttons at the bottom edge of "sleeves." There are pockets on each side of the skirt, just below the waist. All edges are bound with patterned silver ribbon and five rows of heavy gold cord. The garment, which is very stiff and heavy, is entirely interlined with animal skin, which supports the weight of the metallic embroidery. Bodice and skirt are lined with orange cotton damask; sleeves are lined with striped black, white and yellow cotton broadcloth.

A metal chain with seventeen charms attached: three amber beads; one amber ingot; one jade ring; one jade bead; two coins with square holes; a piece of coral; a jade disc with a round hole; one carved peach kernel; a carved monkey holding a peach; a jade Buddha's hand; a jade lotus; a pilgrim's gourd; a silver, and bird claw sword; and a bird's beak mounted with silver.

A woman's silver ring with a raised silver setting into which a rectangle of red coral has been set. The engraving is partially worn off, leaving only a remnant of the design.

Necklace consists of a variety of semi-precious stones in graduated sizes, strung on a synthetic string, and tied. The stones are round coral, odd-shaped pieces of turquoise and malachite in varying sizes. One coral bead has an inlay of silver in a band 0.3 cm. wide.