Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.

Brown wooden mask painted with red and dark red design along the forehead and cheek areas. Eye and nose areas painted green which extends around the sides of the cheek areas. Dimple area painted with red hatch marks. Red mouth and cut out nostrils. Black eyebrows, moustache, and goatee. Ears painted with red downward diagonal lines. Eyes cut out. Cord strung through a hole in the middle of each ear and tied at back. Adze marks visible inside.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Small, square coverlet made from two layers of off-white cotton muslin, embroidered over the entire surface with closely-spaced, small running stitches in soft shades of pink, green, gray and orange cotton thread. A square section in the centre contains a scene with two human figures, a crane, a small bird, clouds, a fish and a butterfly. A wide border on all sides contains scattered figures of people, elephants, plants, trees, flowers, butterflies and fish. All motifs are outlined in black.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are similar in design and colour, but one side is more heavily embellished than the other. Each side has a rectangular centre design panel embroidered with diamond shaped geometric forms and mirror work; the central panel is surrounded by yellow, green and white motifs worked in detached interlacing stitch. The designs are bordered with rows of yellow square chain stitch and a black “braid” made from dense bundles of black thread that are laid and couched. A tassel made from thread is sewn at each corner. One red glass bead is sewn on one side, at the lower right of the design field. The pouch is lined with off-white cotton muslin.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side of the pouch has a rectangular centre design panel embroidered with diamond shaped motifs and mirrors, worked with multi-coloured thread, outlined with black, on red cotton muslin; the central panel is bordered with a row of mirrors that are outlined with metallic thread and set between rows of black “braid” made from dense bundles of black thread that are laid and couched. Closely-spaced, faded red pompoms are sewn into the side seams. At the open end of the pouch is a casing made from grey-green cotton fabric. The pouch is lined with dark green cotton fabric.

Woman or girl’s multicoloured, short-sleeved, blouse front. Dense, bold geometric motifs, embroidered in silk and cotton thread, cover almost the entire surface of the garment, and in most areas completely hide the ground textile, which is made of dark red cotton. The shoulder area is defined by large floral designs; below the armholes the motifs form an apron effect, with a wide border at the hemline and along the side edges. Mirrorwork, white rickrack and red beaded pompoms are incorporated into the design overall. The centre front neckline slit is decorated with white buttons, triangular turquoise tabs and tie-cords. Tie-cords are also located at the back of the neck and down the centre back opening, which extends from neck to hem. At the back of the shoulders, plain panels of dark red cotton textile are attached. Sleeves are extensions of the shoulder pieces. Sleeve edges and the hem are trimmed with beads, tassels, plastic disks and shells. A label made of off-white cotton textile, printed with a rubber stamp, is attached at the neck edge at the back with a loose running stitch.

Child’s embroidered dress with off-centre front neckline opening. A densely embroidered panel, trimmed with mirrors, surrounds the neck opening in the front and extends over the shoulders to form a back yoke. There is a large pocket inside the front of the dress that is accessible through the neckline slit; the purple machine printed cotton textile that forms the pocket is visible at the neckline. The flared skirt is embroidered with scattered multicoloured geometric figures on both the front and the back. The orange silk textile of the skirt is heavily damaged, exposing the red cotton underlining. Triangular, embroidered gussets are inserted at the sides, under the sleeves. The round neck opening closes with a loop fastener on the right hand side. Sleeve bands of embroidered textile (orange; purple; rose) are trimmed with sequins, rickrack and braid. The hem is finished with silver metallic braid (3 cm wide). The entire garment is underlined with cotton textile. A label made of off-white cotton textile, printed with a rubber stamp and handwritten with ball-point ink is attached at the neck edge on the back with a loose running stitch.

Orange women’s tunic with embroidery and appliqué. The tunic has a high, square neckline. The front has a large embroidered panel from the shoulder to hip. The embroidery on this panel is so elaborately detailed and so densely worked that none of the background textile is visible, and this part of the tunic is very stiff. Within this panel are small- and medium-sized circular, diamond and double diamond shaped motifs arranged in rectangular groupings, and numerous very small mirrors. Below the panel are three horizontal panels of silk and cotton textile (yellow; light green; orange) embroidered with triangular, diamond and floral border designs worked in black thread, accented with several colours and metallic thread. The back of the tunic has a centre back opening with braided ties. Pouches made of orange silk textile and containing small amounts of dried plant material are sewn into the top edge on both sides of the neck opening. On the back there is a large panel of orange nylon(?), embroidered with multicoloured circular medallions and edged with diamond shaped border motifs, silver coloured sequins and white rickrack. Strips of light green and orange silk textile, edged with black braid and white rickrack, form side panels that connect the front and the back of the garment. The front of the tunic is slightly longer than the back. The sleeves are elbow-length and close fitting, made of bands of silk and cotton textile (orange; red; dark green; yellow) embroidered with cross stitch and decorated with sequins, braid and rickrack. All panels, strips and bands are underlined with cotton textile. A label made of off-white cotton textile, printed with a rubber stamp and handwritten with ball-point ink, is attached at the neck edge on the front with a loose running stitch.

Long white fabric strap strung with twelve stuffed, dangling tube-like appendages; appendages are striped red, white and black.