Deep blue and black padded hanten (袢纏, also written as 半天, 袢天, 半纏). There are white basting stitches knotted overall. It has a family crest or kamon (家紋) known as maru ni hanabishi (丸に花菱).

Dark blue textile with woven pattern. The textile is made from four long strips sewn together to create a rectangular piece. The pattern repeats staggered rows of square blocks with geometric motifs in white and gray on dark blue ground. The ends are cut, the sides are selvage.

Black kimono with a striped pattern. The pattern consists of very thin, white vertical lines arranged in groups of three. There is a wide patterned band around the neck and partway down the centre opening. The sleeve panels are short with an opening under the arm. The inside is lined with blue cotton.

Dark blue shirushi banten (印半纏), a type of hanten (袢纏, also written as 半天, 袢天, 半纏), also known as happi (法被, 半被). There is a wide blue band around the neck and down the centre opening. On the centre opening band are white Japanese characters and short ties. The short sleeves are tapered. On the upper back there is a family crest or kamon (家紋) known as mokkō-mon (木瓜紋) in the shape of a cut surface of uri (oriental melon). The upper inside is lined with light blue fabric.

Wide, long flared tunic with a rounded lower edge, made of cotton fabric dyed with heavy purple dye. Round neck with low upright collar. Fastens at side with frog closings. Pocket inside the front closing where it overlaps. Deep creases forming squares on body of garment and angles where sleeves join it.

Long, rectangular sheer red cloth with raw ends and sides.

Canoe hull has long, pointed bow and stern, creating sharp angle back up to top rim (gunwale). Black painted canvas over rib and slat wood frame. Nails along inner top gunwale, metal wire at each end. Bark and cloth lashings used on frame. Middle stabilizing bar (thwart), no seats.

Lace bib of white large and small circles.

Skirt of three panels of shiny red brocade with embroidered designs. The designs are embroidered flowers with dull centres and leaves near the lower edge. The skirt is open at the back. The panels are pleated and inserted into a band of red shiny fabric woven with a floral pattern and lined with loosely woven off-white cotton. The pleats carry through to the edge of the band on both sides. The upper edge of the band is scalloped with the points of the scallops meeting two red shoulder straps. At both ends of the band are sewn narrow ties of red fabric, roughly machine stitched with white thread. The inner lining of the panels is red nylon mesh, with an interfacing of coarser white nylon mesh.

Woman’s backless blouse with plain bodice, pieced from blue, yellow and red cotton broadcloth, and decorative elbow length sleeves, pieced from panels of embroidery and jacquard-woven ribbon. It has a V neckline in the front and ties at the centre back neck and at the waist with self-fabric ties. The embroidered panels on the sleeves are embellished with metal sequins and mirrors. There is a small pocket on the lower right side of the blouse.