Long, rectangular, cotton textile; machine stitched edging on the long sides. The repeating pattern consists of grey and white flower and leaves with curly, white striped lines on a blue background.

Wide white pants. The pants have a narrow waistband with cord tie. There is a triangular gusset in the centre and a rounded inseam. The inside is unlined.

White coat with collar, long sleeves and centre opening with white buttons. The inside is unlined.

Wide white pants with narrow waistband and very slender legs. There is a triangular gusset in the centre and an angled inseam. The inside is unlined.

Yellow coat. The coat has a collar, long sleeves and centre front opening with metal buttons. There is a pocket slit on the front upper left and a back slit in the centre back. The inside is unlined.

Bag made from black velvet with a drawstring at the mouth composed of brass (?) chain ending in a sphere of metal openwork on each side. The chain feeds through metal loops attached to the inner surface of the mouth. Finished with a baded fringe along the bottom of the bag and a border of alternating colours that runs along the sides and bottom edge of the bag.

Vest made with the two front panels and the exterior of its stand-up collar in red fabric. Off-white material forms the back of the vest as well as the front panel and collar linging. The collar, front and bottom edges are finished in green edging. There is a pocket on each side of the front, and these as well as the collar and the edges that meet at the front centre are decorated with plastic buttons.

Spindle with hand spun, light brown cotton. Hemispherical clay whorl, wood spindle that protrudes above the top of clay whorl.

Blue embroidery on plain white cloth. Five motifs: Centre shows vase on pedestal holding branches of leaves, fruit, and three birds. Both motifs flanking centre are identical: fruit tree with bird. Two vases at either end are similar with different pedestals, each holding flowering branch. Bordered on all three sides with embroidered tassels, flowers, crabs and other design elements. Hemmed on all sides.

Headdress with a frontlet of red painted wood inlaid around three edges with coppers and abalone. In the centre of frontlet is a human figure, elbows resting on knees with hands held up, palms outward; figure has inlaid abalone for eyes and teeth. Frontlet is attached to a white fur hat which, in turn, is attached to a long train (80 cm le) of off-white ermine skins, backed by red cotton. The ermine tails--the tips of which are dark brown--each have a red strip of cotton tied to them.