Short sleeve, backless embroidered blouse with long front panel. Strings attached at the neck and the midriff tie up at the back of the blouse. The pattern on the main fabric of the blouse is horizontal stripes in a colour pattern of brown, black, green, and yellow. On both shoulders and over each breast there is an embroidered flower motif with two circles of appliqué mirrors, one around the outside edge and a smaller circle on the inside. Down the centre and along the sleeves of the blouse is an intricately embroidered ‘tab’ which also contains an appliqué mirror border and a single line of appliqué mirrors in the centre of the ‘tab’. There are also three fully represented and two half represented ‘chicken’ pattern designs. Around the bottom edges of the blouse and on the cuffs of the sleeves there is a yellow material with red dots. On either side of the blouse there is the same material but in red with a green border. The tie at the top of the blouse is black.

Rectangular comb made of several small, thin pieces of wood, each tapered to a point at one end, lashed together with thin strips of light to dark brown grass(?) between two metal pieces. One of the end metal pieces has a loop bent into it at the midpoint, while the other is flat. The strips of material that hold the tines of the comb together are woven in a raised chevron pattern down the centre of the comb, and in a diamond pattern from the centre raised design to the top edge of the wooden pieces on the side opposite the tapered points. The raised centre pattern is the same on both front and back surfaces of the comb, while the diamond pattern appears in the negative and positive on either side. On the side opposite the hook there is a small thread which is wrapped around the end of the comb. The flat ends of the tines are blackened with a burnt appearance.

Rectangular comb made of several small, thin pieces of wood, each tapered to a point at one end, lashed together with thin strips of light to dark brown grass(?) between two metal pieces. One of the end metal pieces has a loop bent into it at the midpoint, while the other is flat. The strips of material that hold the tines of the comb together are woven in a raised chevron pattern down the centre of the comb, and in a diamond pattern from the centre raised design to the top edge of the wooden pieces on the side opposite the tapered points. The raised centre pattern is the same on both front and back surfaces of the comb, while the diamond pattern appears in the negative and positive on either side. On the side opposite the hook there is a small thread which is wrapped around the end of the comb. The flat ends of the tines are blackened with a burnt appearance.

Large, black women's shawl, or veil, with a rectangular embroidery panel centred along the straight edge (when worn this panel falls around the head/face of the wearer). There are four main sections to the design of the panel which are separated by gold stitching: the section closest to the outer edge is two lines of red and green cotton; the largest section of design has light orange, green and red cotton sewn into the embroidery, the main pattern of which consists of gold diamond and rectangular shapes; on the outer edge of the four sections there are triangle and arrow shapes. On the interior of the semi-circular shawl, around the top, there is a small piece of cotton material with a blue background and red and green flowers, sewn as a lining where the shawl would rest on top of the wearer's head. The inside edges of the shawl are also lined: the front seams are lined with a narrow strip of red fabric, and the bottom seams are lined with a narrow strip of blue fabric. On the exterior surface of the shawl, extending out from the central embroidery panel, there is a hand-sewn geometric design consisting of three V-shaped sets of linear patterns. Each of these is a different colour (from closest to the embroidery panel out: light blue, light orange and light yellow). All three consist of two lines and there are flower-like designs sewn on the outside edge of each of the lines. The yellow lines, which are the closest to the bottom of the shawl, have two snail shell designs that extend down from the two main lines.

Long red pants with overall repeating design. The design is in a Chinese style depicting trees, flowers, houses with slanted roofs, and people paddling in boats and walking near trees. The waist is created by folding over the excess material and stitching it closed, thus you are able to see the backside of the Chinese print. The waistline has been sewn in such a way that there is an opening in the centre. In this space, are several pink threads braided together with the ends loose. These threads hold the pants around the wearer’s waist. The pant cuffs have eight repeated lines of stitching.

Long sleeved, red tunic with overall repeating design. The design is in a Chinese style depicting trees, flowers, houses with slanted roofs, and people paddling in boats and walking near trees. The collar is a Chinese style collar. The tunic buttons half way down with three small, white buttons. There are cuffs at the end of both sleeves which are each held together by a single grey button. There is also a 23 cm slit on the bottom left and right sides. On the underside of one of the arms, the material is sewn so you are able to see the white edge of the material.

White, rectangular shawl with a embroidery and fringe at each end, also in white thread. The design is broken up into three sections which are separated by a looser stitch. The first two sections have the same design of flowers and diamonds and the third design, that which is closest to the centre of the shawl, is flowers and triangles. Worn with 2878/14.

Gift of Adelaide Goan

George C. Brackett Fund

Small box drum. Drum has skin stretched over both sides of a wooden frame. Green ribbon band nailed on outer edge, the ribbon extended as a loop on one corner. Multicoloured fabric decorations are on all four corners.