Papermaking mould with a frame composed of four pieces of bamboo - two long pieces, each with two notches for the shorter pieces to be inserted into, creating a square. Each piece has been marked on the interior with a letter 'A' through 'D'. A mesh screen is strung into the middle with four ties along the long edge, and three along the short. The screen has folded and sewn edges, creating long pockets through which sticks are inserted giving the screen a frame. One stick is only partially inserted, leaving it overhanging from the screen.

Handmade, indigo dyed jacket. The exterior is black, the interior is lined with dark blue cloth. Jacket has a front centre opening, with finely woven bands attached to either side. Bands have a central design of curved lines on a solid background, trimmed by plain and dotted lines. Designs are done in different shades of purple. Identically coloured bands are along the halfway point of the sleeves. Bands have alternating, diagonal rows of swastikas and meander-like designs. They are framed with straight lines and rhombuses. Sides of bands, closest to the cuffs, are trimmed with white and dark brown stitches. Identical stitching along shoulders. Back of jacket has a central panel of vertical stripes, done in shades of blue and brown. Overtop, below the neckline, is an additional decorative panel made of tin embroidery, done in meander-like designs. Panel has long strands of fringe along the bottom edge. Front of jacket has a patch on one side, and another piece is inset around the neck.

Calungo hand puppet of a 'Filomena' character (the form is more similar to a doll than a puppet). The fabric body is off-white, with embroidered almond-shaped black eyes, and small red lips. She has attached curly black hair with a red ribbon on top. She wears a bright green dress with dark blue ribbon lining the collar, sleeves and hem, as well as belted around the waist. She has light blue fabric boots.

Loom with a partially completed weaving tied to four bars (part a). Weaving attached to bars at the top and bottom with one bar, intertwined in the weaving, towards the bottom, and another attached to the back, towards the bottom. There are three removable swords (parts b-d) and one removable shuttle (part e) stored in the weaving, at the bottom. The attached bars are all made of bamboo. The shuttle (part e) and one of the swords (part c) are made of light yellow-brown wood, the other two swords (parts b and d) are dark brown. The shuttle has notched ends and is wrapped entirely in orange thread. The weaving on part a is orange and has rows of repeated designs across the entire surface. Row designs include: loose chevron pattern, tight chevron pattern, dotted squares, dotted lines, "X" design across length with squares in the negative space, and abstract "V" design across length with squares in the negative space. Designs done in indigo, red, yellow, black, green, dark blue, white and electric blue. Rest of weaving is incomplete and orange in colour, with loose strands of black and yellow throughout. Three metal rings attached to the top and bottom loom bars- one on the top, to the right of the weaving, and two on the bottom, on either side of the weaving.

Large textile composed of five different textiles, sewn together. At centre, a large black rectangle, that forms lays flat on the frame. From this, a different textile is attached on each side, and hangs down to cover the sides. The textile at the front has vertical stripes in black and white, with teal, orange, blue and green. Both sides are made of horizontal strips of fabric, loosely stitched together to form a textile. The left panel is covered with small tassels. The back is covered by a textile with repeating diamonds made out of small squares.

Fragment of a mantle (shawl). Horizontal rows with designs inside of them, trimmed with patterned bands along their bottom edges, across entire surface. Overlaying, woven fringe tabs hanging from bands. The design elements along the left and right sides- the patterns, band and fringe- are dark brown and the design elements in the middle are red. Step pattern inside of the light brown horizontal rows, with wave motifs inside of them. Bands have two lines of light brown through them. The upper line has a wave motif through it, done in red, and the bottom line is plain.

Mud cloth composed of seven long pieces of hand woven textile, stitched together along the long edges, and dyed black with light brown designs. The cloth is rectangular, with short fringe along one short edge. The overall design is composed of zigzags, lines, repeating T-shapes, and dots.

Mud cloth composed of six long pieces and two shorter lengths, of hand woven textile, stitched together along the long edges, and dyed black with off-white designs. The cloth is rectangular, with short fringe along both short edges. The overall design is composed of zigzags, lines, repeating T-shapes, and dots.

Mud cloth composed of eight long pieces of hand woven textile, stitched together along the long edges, and dyed black with light brown designs. The cloth is rectangular, with short fringe along both short edges. The overall design is composed of zigzags, lines, repeating T-shapes, and dots. There are four main panels down the length, each divided by a zigzag and dot design, with a panel of dots down one side pushing the main design off-centre.

Single legging of woven cotton cloth covered entirely with embroidery in deep red silk with additional designs in dark blue, orange, dark green and light green silk thread. Copper(?) metal thread embroidery between each of the outer two bands of plaiting. Side with seam decorated with pounded metal discs with a simple floral mark at centre and one metal button. Backed with woven cotton cloth.