Brooklyn Museum Collection

Brooklyn Museum Collection

Charles Stewart Smith Memorial Fund

Brooklyn Museum Collection

This otter skin cap tail would generally be worn around the neck or attached to a choker. It has a side edge of loom beadwork in white with red and blue designs. The blue cloth heart on the top edge is edged in white and red and is beaded on the reverse side. The support material which is hidden by the fur is covered with reverse appliqué ribbon work which conceals the fur fold and seams.

This is controversial as to exact use. It might have been a necklace for a small pony or a man's bandolier. Made from hide it has dew claws sewn all around it that rattle when moved and a small medicine cloth bag attached.

A war club with an attached metal blade. A twisted cotton cord is attached to the handle. The object's decoration is done by chip carving and incising. Fourteen headless figures are shown on one side of the club and an Indian head is etched onto the metal blade. Possible explanation: The designs cut into the end of the club in rows of triangular shapes represent tipis. Probably, the scene depicted is a recounting of the exploits of the owner of the club. The figure on the end holds a feathered lance or staff, possibly a medicine man. The others, all male that are facing another single male, are men that he touched (coup counting) or killed.

Bequest of W.S. Morton Mead

This headdress is constructed on a base of red Stroud cloth, formed into a band and decorated with beadwork in a series of "filled triangles." Blue triangular outlines filled with white beads alternate with white outlines filled with blue. A line of white beads is also attached at the lower edge of the red band. Horsehair that has been dyed red is inserted on the top of the band and a ribbon, once green, is tied on at both ends for fastening. An ear lock of horse hair is tied with sinew onto hide thong and a fine crewel yarn cord is hand plaited at the edge where the horsehair is attached.

Brooklyn Museum Collection