Male figure playing a violin. Male figure (part a) wearing knee-length black robes with a white tie at the waist. He holds a violin (part b) in his left hand and a bow (part c) in his right, both strung with nylon. His mouth is open and baring teeth. Both arms and legs are moveable. The figure stands on a wooden platform (part d), which has two leather loops for footholds.

Flute player figure. Male figure (part a) wearing knee-length black robes with a white tie at the waist. He holds a red flute (part b) in his large hands. His head tilts to the left, and lips pursed. Both arms and legs are moveable. The figure stands on a wooden platform (part c), which has two leather loops for footholds.

Five figures: a missionary (part a), wooden cross (part b) and base (part c). The missionary and base are both dark brown-black woods. He wears a long dark brown robe, more loosely knit in the upper body, cinched at the waist by a thick twisted white tie. In his right hand he holds a small crucifix. The base is a small rectangle of wood with two leather straps attached. Part d is a standing male figure in grass skirt, with a wooden staff (part e) and base (part f). His right hand is clenched to hold the wooden staff; both arms move from shoulders, and legs at hips. The base is a small rectangle of wood with two leather straps attached. Part g is a standing male figure in grass skirt, with a wooden spear (part h), wooden stake (part i), and base (part j). Both hands are clenched to hold the wooden staff and stake. Both arms move from shoulders, and legs at hips. The base is a small octagonal of wood with two leather straps attached. Part k is a kneeling male figure in grass skirt (part k), holding a ritual object with feathers (part l) in his right hand, and a staff (part m) in his left hand. Arms move at shoulders, and legs at hips. Part n is a crouching woman. Figure wears a red and brown tunic, cinched by a woven belt. Arms move at shoulders, and legs at hips.

Small Kachina doll. Carved from wood, dark figure is short, with a large round head holding two small balls at back and on left side- to which is attached a small feather. Round eyes and mouth are painted on the face, along with three sets of short double white lines at midpoint. A thin cotton string surrounds the neck and hangs down the back of the doll. Torso is painted with a green neckerchief and white lines representing a shirt, with arms held close to sides and fists held at hips. Black checked skirt reaches to the knees and brown legs are adhered to bottom of doll.

Kachina doll. Carved from wood, figure is a long, rounded rectangle with a slightly thicker head. Remnants of feather and cotton fibre sit on top of head, nose is tubular and protrudes out from face, and eyes are black lines above a multicoloured chevron at centre. Front of figure is coloured light green, white, and yellow with black outlining, hands shown placed on chest. Pink lines emerge from bottom on both front and back. Back has a base of white, with green and yellow at shoulders and rust at back of head. Doll is glued to a wood base

Small Kachina doll. Carved from wood, doll has large rounded head with feathers attached at top and back, face painted with black lines for eyes above decorated cheeks and a red tubular snout. A thin cotton cord is tied around neck, hanging down the back of the doll. Shoulders are narrow, with arms kept close to sides, fists held in front of stomach. Torso is painted orange with green and yellow decoration, and a necklace at centre. Skirt is full and round, with red and black patterning down the right side. Legs emerge from beneath, painted red and grey.

Large textile has a dark blue base with thin white lines running horizontally. Several thicker diagonal lines made of small red and yellow stitched squares cross to make large ‘x’ shapes across the textile. Heavy silk embroidery sits at each end, showing a variety of patterns in evenly spaced blocks: long vertical lines, short horizontal lines, and lines made up of small stitches, all in yellow, red and green.

Finely woven shawl. On a black ground are dense stripes made of sketch-style white lines, running the length of the textile. At each end sits a panel of loosely woven fibre, much like lace, with linear and diamond designs incorporated. The panels are finished with a fringe at each end.

Sash (or headband). Textile is narrow in width, with twisted fringe at each end. Dye is ikat, in dark blue with a regular pattern of lines showing five large star shapes interspersed with lines of four small, all in white. Edge pattern near fringe is a jagged zigzag.

Wooden male figure in standing position, with two large, flat feet, its knees slightly bent. Head is large with a carefully carved face. Mouth is a thin line, a small nose protrudes above, eyes are almond shaped and made of bone with a small hole carved at centre. Ears have two anterior curls, and have remnants of blue paint at back. Upper arms hang at sides, with forearms and hands (parts b and c) separate pieces that attach at elbows to allow positioning at an upward angle. A loin cloth is wrapped around figure’s waist, mainly brown-grey in colour with a stripe of orange around the waistband. Cloth covers a prominent phallus.