Cloth doll with embroidered facial features. She is wearing a belted black dress and pants. Doll has a beaded headdress and multi-strand necklace; necklace is done in yellow and orange. The headdress consists of a ring and long woven train covered in horizontal bands made up of beads, buttons and bells; twisted fringe along bottom edge. Bells are silver, buttons are white and beads are done in orange, white, yellow, dark blue, pink, light green, and silver. Band designs consist of alternating vertical stripes, chevrons and plain horizontal stripes. Collar, cuffs and bottom edge of dress are decorated with yarn geometric designs; done in orange, yellow, light blue, pink, and white. Additional wavy silver ribbon trims bottom edge of dress. Opening of pants are bordered with wide green ribbons with heart-like designs throughout; ribbon trimmed in orange yarn, designs done in silver. Doll is attached to a wooden base.

Wood rattle carved in the shape of a duck. Formed with two pieces, top and bottom, that are tied together on each side with black cloth. Pieces are also secured together with nails at the end of the handle and underneath the duck head. Duck’s eyes are drilled into face, beak has been lost. Body is large and rounded on both sides. Tail functions as a long handle. Ends angle outward, forming a “V” shape. Label attached to inner top section of tail. Handwritten text across back. Rattle is hollow, and filled with pebbles and small sheets of metal. (Original ties, likely hide or root, are gone).

A Gara Raksha (demon) mask. The mask is comprised of a face (part a) and two detached ears (parts b-c). All three parts are painted green, red, and white. The mask's eyes are cone-shaped, and protrude dramatically away from the face. Underneath each eye is a crescent shaped hole which allows the wearer to see. The mask's nose is pointed, with a bump on the bridge and two large nostrils. Its large, red mouth is filled with teeth, and two curved tusks that extend outwards from either corner. The mask's bottom jaw is secured via string, allowing the mouth to open and close. Three cobras with flared hoods extend upwards from the top of the mask. The one in the centre is the largest, and extends from the mask's forehead. The two smaller cobras extend from each of its temples. Around both of the mask's eyes and across the bridge of the nose is a decorative pattern comprised of round, elongated shapes. The mask's ears (parts b-c) are round, concave discs with lotus flower motifs painted on. There is a small hole in the centre of each disc, and a wooden peg extends from a point on the outer rim. When attached, the ears flare outwards from the sides of the mask's face. The back of the mask is unpainted. A braided rope and piece of thin cloth are tied through small holes in the mask, in order secure it to the wearer's face.

Woven conical hat with tiered, rod brim. Bottom rods are naturally coloured, top rod is partially painted red. Six sections of plant fibre, that bind all the rods together, are painted black and red, forming a vertical stripe pattern. Painted sections are evenly spread out along the brim. Naturally coloured loop attached to brim, for hanging purposes. Hat is divided into six sections- three rectangles and three triangles. The rectangular sections have a black background with a naturally coloured zigzag down the middle. A vertical line, done in red, runs through the pattern. The triangular sections have diagonal rows of concentric diamond designs, trimmed with zigzags on either side. Diamonds and lines are done in black. All sections are bordered by red painted lines. Red tassel, with cowrie shells, attached to tip of hat.

A fishing basket [a] with lid [b] and rope [c]. The basket has a circular rim and square base. Very thin, flat strips of bamboo are woven across wider vertical strips to comprise the basket's main body. The weave is close, with only small gaps. The bottom of the basket is woven from wider bamboo strips, in a perpendicular fashion. Two thicker pieces of bamboo form an X-shaped base. The basket has four cylindrical feet, one at each corner. A thin strip extends from the base of each foot, and is woven into the basket so as to attach it. The rim of the basket is made from two larger, horizontal strips of bamboo that wrap all the way around. They are secured by groups of three thinner vertical strips staggered at 2-2.5 centimetre intervals. A circular piece of wood with a cut out centre is secured to the inner rim of the basket by four small nails. The top of the wood is covered with bamboo strips, which have been woven in a chevron pattern. The lid of the basket is small, flat, and circular in shape. It is made from a piece of wood, and is covered with bamboo strips which have been woven in a chevron pattern. The handle of the lid is a thin, straight block of bamboo with downward curved ends. It extends slightly past the base of the lid on both sides, and is secured through the bottom by three small nails. There is a small hole in one side of the handle. The lid was previously attached to the body of the basket via a braided, purple rope, however all three pieces are now separate. The basket and lid are both covered in a clear lacquer.

A fish basket, or pouch, woven of palm leaf. The pouch is triangular in shape, with a wide bottom that tapers to a narrow, circular mouth. The palm leaves are arranged in vertical rows, with small gaps between them. The leaves are folded in half, with the folded sections acting as the bottom of the pouch. Small vines are woven in perpendicular rows across the leaves, so as to hold the pouch together. The vines are woven through the gaps in the leaves, going over the first leaf, under the next, and then over again in an alternating pattern. This pattern is repeated every 5-7 centimetres, for a total of nine rows. At the neck of the pouch, a vine has been woven around its circumference multiple times. At the mouth of the pouch, the palm leaves are folded over to form a horizontal rim, and secured with thin, cotton thread. The thread wraps around the rim of the pouch multiple times, and in opposite directions, forming X shapes. This cross-stitch lashing occurs at 1-2 centimetre intervals. A long piece of rope is knotted at the mouth of the basket, enabling the user the carry or attach the basket to their waist. The rope was previously green, but most of the colour has faded away. At the bottom corner of the pouch, a light blue fibre has been wound repeatedly around a vine.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.

Long model kayak made from dehaired seal skin. The kayaker is attached to the inside seat area of the kayak and consists of an upper body only; he wears a seal fur parka and holds a wooden model paddle out front, in both hands. The figure's face is made out of stocking, with an embroidered face, including part of a blue wool cap (or hair?). There is a separate model harpoon (part b) with a wood handle, antler point and sinew rope, that fits under the skin lashings of the kayak. Model is unsigned.

Day of the Dead figure. Figure depicts a skeleton holding a bouquet. The skeleton has white hair, made from a cotton ball, and is wearing mourning attire which consists of a long, black dress and black lace veil. The veil wraps around the skeleton's head, but leaves the face exposed. It gathers at the back of the neck, and extends behind the figure. The skeleton's bouquet is held upright, and is made up of one red, one pink, one orange, and one light blue flower. The bouquet's stems are wrapped in red fibre. The skeleton's head is mounted on a spring, and it is standing on a square, dark green base.

Day of the Dead figure. Figure depicts a skeleton holding a bouquet. The skeleton has white hair, made from a cotton ball, and is wearing mourning attire which consists of a long, black dress and black lace veil. The veil wraps around the skeleton's head, but leaves the face exposed. It gathers at the back of the neck, and extends behind the figure. The skeleton's bouquet is pointed to the right, and is made up of one pink, one white, and one light blue flower, as well as several green, segmented strands. The bouquet's stems are wrapped in green fibre. The skeleton's head is mounted on a spring, and it is standing on a square, dark green base.