Woman’s rectangular, embroidered shawl (headcloth). Made of red-orange, coarsely-woven cotton textile, embroidered over-all with brightly coloured, regularly spaced rows of stylized floral shapes that are separated by narrow bands of orange cross-stitch. The floral shapes are identical in shape and alternate in four colours in the row, dark yellow, hot pink, light green and white. They are worked with surface or “false” satin stitch. The alternating colours in the rows match up diagonally across the width of the shawl. Leaf-shaped border designs on the ends and along the sides. The sides are finished with blanket stitch in light green silk, while the ends are unfinished. The piece is constructed of three textile panels which were sewn together before the embroidery was worked.

Sample of hand made maltese straight bobbin lace with a pattern composed of a series of rough circles with small loops emerging from each along the bottom.

Women's dark blue wool tunic. The tunic has a deep v-neck without a closure and long sleeves with gussets under the arms. It hangs straight from the shoulders infront, the back is slightly fitted above waist and flared below the waist by means of four gores. There are bands of red and yellow with embroidery and rickrack in blue and green around the neck, shoulders, upper back, cuffs and hem. ‘All wool’ is written on the selvage underarm seam, visible from the outside. The inside is unlined.

Three-dimensional male humanoid puppet: large head (part b) fits into body with vest and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a gold painted torso and arms. Hands bent back at right angles, fingers slightly curved upwards. Face painted white, with narrow straight nose, slit-like eyes, with lowered lashes and narrow red mouth. Face cast in downwards gaze. Cap-like headdress and with elaborately carved gold jamang, topped by garuda (bird-shaped ornament); also with upper sumping and ngore. The figure is wearing a black velvet vest with a beaded star-shaped pattern on chest and a gold sequin at the centre. The beads are clear with a frosted finish, and green. Dark red velvet beaded apron with three star-shaped, clear sequins and metal beads in a T-shape at the centre. Light purple, orange, yellow and off-white batik skirt.

Long white blouse with embroidery and attached petticoat. The blouse has a keyhole neck opening with hand finishing and ties of twisted fibre. The bodice front has vertical black, red and yellow embroidered bands from shoulder to waist and embroidered and beaded bands at shoulder edge. The long set-in sleeves have underarm gussets and no shoulder seams. There is embroidery and beading from cap to cuff and are gathered into embroidered and beaded cuffs with hook and eye closures. The embroidery is of stylized vines and flowers in 'tent' stitch. A plain petticoat with a selvage hem is attached below the waist.

A long rectangular blue silk gauze sari embellished with metallic gold representations with red, green, light blue, and dark blue of leaves, branches, and flowers. The motifs in the main design field are arranged in diagonal rows. The long edges are embellished with rows of gold acanthus leaf-like swirls, interspersed with red, blue, and white dots. There is a very narrow silver binding at the edges.

A woman’s headdress consisting of a crown and a broad panel that hangs down along the back. It is shaped from a piece of coarsely woven dark brown and blue textile and is heavily decorated with cowrie shells, red and white glass beads, and embroidery. The crown portion is embellished with closely-spaced rows of cowrie shells and a central strip of geometric shapes formed from red and white glass beads. There is a large brown and orange pom pom at the centre back. The “tail” is decorated with scattered small buttons of various kinds and small silver diamond-shaped ornaments. A costume jewelry brooch (gold with red and blue stones) is pinned in the centre. There is a strip of embroidered geometric shapes at the end of the “tail", and the bottom edge is finished with a braided fringe formed from the warp threads of the textile.

Blue lace making pillow, fully set up for lace making, with work in progress. The pillow is square with rounded corners, tightly stuffed with grasses or straw, covered with blue linen textile. A parchment lace-making pattern is pinned into position on the pillow; there is a length of finished lace, the near end of which is still in process. Approximately 60 threads and bobbins are attached and approximately 125 steel pins hold the thread in position on the pattern. Twenty-one spare bobbins are held in a pocket on the right hand side. A triangular pin cushion holds extra pins.

A piece of off-white textile. Raw edges on three sides, machine hemmed on fourth side, pieced at one edge.

Long white blouse with embroidery and attached petticoat. The blouse has a wide neckline gathered onto twisted red and white cord, tied at center front. There are two vertical bands of red embroidery down the upper front and back. The long raglan sleeves have underarm gussets and multicoloured embroidery and beading from shoulder to cuff. The embroidery has stripes, floral and geometric motifs in cross-stitch, tent stitch, chain stitch and satin stitch with glass beads and gold metallic thread incorporated into the designs. A plain petticoat is attached below waist; the hem trimmed with lace made by pulling and reworking threads. The seams have decorative hand stitching.