A woman's multi-coloured wool belt, edged in red-orange wool fabric and decorated with a green stripe and a saw-tooth motif worked in red and yellow wool fabric. Trimmed with blue rickrack and green wool fabric. Backed with blue wool fabric and multi-coloured printed cotton broadcloth. Fastened with a small silver ? buckle.

Brown, oval-shaped birch bark mat with red and yellow quill decoration in the centre. Two bands of sweet grass coils with a single band of zigzagging open work between them--all sewn with black thread--encircle the central birch panel.

White cotton tablecloth with wide border of white cut-work embroidery on all four sides. The border motif is a repeated diamond shape composed of small squares of alternating cut-out and solid satin stitch (Hardanger style). The embroidery is worked with glossy white thread, using a counted thread technique. Two halves of the tablecloth are joined in the centre with a seam.

Small, flat, square, embroidered, envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch, are grouped together into larger squares, arranged in an X shape, and are outlined in black. Mirror-work is incorporated into the designs and along the edges of the square. The embroidery is so dense that it completely covers the background textile. The seams are embellished with decorative stitching. There are small pompoms scattered throughout the design. Two thin fibre strings are attached to the corner of the flap. The embroidery is underlined with multicoloured cotton gauze.

Rectangular, embroidered panel (woman's blouse-front -- unfinished) made of red cotton muslin, heavily embellished with designs worked in metallic and multicoloured threads, and combining two different styles of embroidery. In the centre of one end of the panel (the top of the blouse design) is a long, narrow, vertical, dagger-shaped section embellished with closely-spaced mirrors and large, circular whorls made of coiled silver, metal-wrapped thread, laid and couched with black thread. Parts of the designs are worked in chain stitch and elongated square chain stitch. Rows of metallic whorl motifs also embellish two rectangular shoulder panels and two square panels at chest level. Black thread is used for couching the silver thread in some of the whorls, while in others, yellow thread is used, giving the illusion that the silver metallic thread is gold. Portions of the design are unfinished or incomplete. At the other end of the panel (below the waist level of the blouse-front), the designs form an apron effect, decorated with scattered, multicoloured X-shaped motifs worked in satin stitch. There is a border of temple-shaped motifs, flowers and mirrors at the 3 edges of this “apron.” There are raw edges on all 4 sides of the panel, and there is no underlining. Four glass beads (3 opalescent, 1 green) are incorporate into the design, but do not contribute to the design scheme itself.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.

Brown wooden mask painted with red and dark red design along the forehead and cheek areas. Eye and nose areas painted green which extends around the sides of the cheek areas. Dimple area painted with red hatch marks. Red mouth and cut out nostrils. Black eyebrows, moustache, and goatee. Ears painted with red downward diagonal lines. Eyes cut out. Cord strung through a hole in the middle of each ear and tied at back. Adze marks visible inside.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Small, square coverlet made from two layers of off-white cotton muslin, embroidered over the entire surface with closely-spaced, small running stitches in soft shades of pink, green, gray and orange cotton thread. A square section in the centre contains a scene with two human figures, a crane, a small bird, clouds, a fish and a butterfly. A wide border on all sides contains scattered figures of people, elephants, plants, trees, flowers, butterflies and fish. All motifs are outlined in black.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are similar in design and colour, but one side is more heavily embellished than the other. Each side has a rectangular centre design panel embroidered with diamond shaped geometric forms and mirror work; the central panel is surrounded by yellow, green and white motifs worked in detached interlacing stitch. The designs are bordered with rows of yellow square chain stitch and a black “braid” made from dense bundles of black thread that are laid and couched. A tassel made from thread is sewn at each corner. One red glass bead is sewn on one side, at the lower right of the design field. The pouch is lined with off-white cotton muslin.