Men’s outer coat or parka of cormorant skins. The coat has a close fitting hood and is thigh length. The sleeves, hood and hem are trimmed with a band of wolverine fur. The coat consists largely of the belly skins of the birds with smaller pieces on the lower part and wherever the design requires it, like the neck and shoulder areas. The inside of the coat is lined with canvas. Throughout the coat the feathers point downward except for the hood. Below the left sleeve a piece of white fur is inserted. The front and the back each consist of six belly skins. The back of the hood is made of one belly skin. Approximately thirty entire belly skins are used throughout the whole coat. In addition smaller pieces of bird skin are used and there's a small patch of caribou skin on one arm.

Skirt made of two panels of shiny coral pink brocade with a woven overall pattern in white of gingko flowers and leaves. The skirt is open at the back and overlaps when tied. The panels are pleated and inserted into a band of unbleached cotton, the upper edge of which is scalloped, with the points of the scallops meeting the ends of two shoulder straps of the same material. At the ends of the band are long ties of the same material.

Dark blue skirt. The skirt is made of three panels of silk gauze woven with roundels enclosing a bat motif and character on a ground of small rectangles. The selvedge is grey with a fine burgundy line. The skirt is open at the back and the right panel overlaps the left. The skirt panels are pleated and inserted into a band of unbleached cotton. The upper edge of the band is scalloped, with the points meeting the ends of two shoulder straps of the same material. The band opens at the front and the front seam is left unstitched near the top.

Skirt made of two panels of lightweight grey silk gauze patterned with roundels of bats surrounding a circular form of wide lines forming an even cross with arms curving around and bent inwards. The gauze fabric has an overall pattern of small rectangles. The skirt is open at the back, where the right panel overlaps that on the left. The skirt panels are pleated and inserted into a band of unbleached cotton, the upper edge of which is scalloped, with the points of the scallops meeting the ends of two shoulder straps of the same material. The band opens at the front, and the front seam is left unstitched near the top.

Finely stitched, reverse appliqué blouse panel or mola with a striped design in pink, green, orange, blue and black on a dark red ground. In the centre is a toucan-like bird in profile with a swirl design embroidered in fine chain stitch. There is a small bird on right side at bottom with plant motif on opposite side. Appliqué is enhanced with embroidery in chain stitch and small V shapes. The panel in lined with black fabric.

A pair of flat-soled shoes with upturned toes that have a vertical centre front seam. The shoes are covered on the outside with red silk brocade woven in repeating swastika patterns surrounded with lines following the directions of the swastika lines. The soles are black plastic embossed in a flower pattern except under the arch where there is script-like writing as there is on the slightly raised heel. The shoes are lined with pale blue-grey fabric and have tan insoles printed in gold with roman letters and an image of a dancing woman.

Finely stitched, reverse appliqué blouse panel or mola with a design in red, yellow, black, white, blue, green and pink on an orange ground. Central large figure is tortoise-like with multiple ovoid shapes on its back. The sides have t-shaped stylized figures with angled lines decorated its body and face. The back has white backing fabric.

Reverse appliqué blouse panel or mola that is precise and finely stitched. The design consists of overall horizontal sinuous red and black bands outlines in yellow in the form of rounded reversing open lozenges, enclosing small lozenges. The panel has yellow backing fabric. The edges are raw.

Unsewn rectangular printed textile with narrow black border along the edges. A thicker layered border consisting of stylized black and yellow leaf patterns interspersed with red-speckled whitel triangles forms a frame around the larger pattern. In the centre, there are three horizontal bands of yellow flowers on a mulberry coloured background. The phrase 'KUZAA SI KUFANIKIWA KUZAA NI KUBARIKIWA' appears under the bottom band of flowers. A makers mark appears at two corners.

Doll is ceremonially attired in complete costume, including sandals, a red with silver and gold kimono, pink floral kimono, red and white patterned kimono, a yellow sash, a black patterned wide waist sash, red cord around the torso, silver collar. Black synthetic hair tied with silver and red paper, purple fabric flowers in hair. Wears round black with gold hat tied under chin with red fringed cord. Holds paper violet flowers in left hand. Body is white, stands on a painted black, wooden base.