Rectangular shaped textile made of two long pieces of unbleached cotton hand sewn together in the middle with dark pink thread. The ends have a narrow band consisting of narrow stripes of dark red, yellow, navy and green followed by a twisted thread fringe. The bottom is decorated with a thick brown band with thinner yellow, brown, beige and dark green stripes.

Pale blue rectangular cloth with designs in red and black-brown. Central square with complex curvilinear shapes and motifs; border with repeating curvilinear shapes.

White garment with a rectangular shape, round neck and no sleeves. The neck is edged with orange and pink ribbons which hang down the back. The front and back are divided into three vertical panels by green ribbon. The lower centre and outside panels have rows of geometric shapes in red, orange, yellow and blue. The upper centre panel has a dense geometric motif in red, pink, orange and yellow. The bottom edge is unhemmed. The inside is unlined.

Garment (huipil), predominantly red, constructed of panels of off-white cotton with rows of drawn work brocaded with multicoloured bird figures, bands of multicoloured stripes, panels of brocade work featuring multicoloured zigzag and diamond patterns, and panels of geometric brocade work. The garment is divided vertically by vertical bands formed by horizontal multicoloured bands. The sleeve openings are edged with violet ribbon and coarse machine-made white lace with a green edge. The neck is emphasized by several appliqued green triangles.

Vest covered with floral beadwork. The basis of the garment is a trade tweed vest (man's); the front has been covered with black wool fabric, trimmed with blue fabric, embroidered with beads in floral designs and trimmed with small brass buttons; the garment was lined with blue cotton at some later stage and there are no armholes in this lining; also, the armholes in the vest were partially sewn closed.

Mask made from cut out planks of wood formed in a triangular-like shape with flat sides, a thin adjoining nose piece and a rectangular shaped piece of wood at the back. Detailed in blue and orange Northwest Coast stylized forms is a wolf with rectangular shaped nostrils, bared teeth and large eyes. The mouth and eyes are inlaid with pieces of mirrored glass as well as other small sections. Protruding from the top edge of the headdress are numerous thin sections of baleen creating a fringe. The inside has two thin wooden strips attached to two larger bars to create a frame for the head. Covering the frame is a piece of cotton fabric. Fibre ties hang from the bottom edge. (Similar to A9354).

Mask made from cut out planks of wood formed in a triangular-like shape with flat sides, a thin adjoining nose piece and a rectangular shaped piece of wood at the back. Detailed in blue and red Northwest Coast stylized forms is a wolf with ovoid shaped nostrils, bared teeth and large eyes. The mouth and eyes are inlaid with pieces of mirrored glass as well as other small sections. The nose is detailed with a blue crown-like shape. Protruding from the top edge of the headdress are numerous thin sections of baleen creating a fringe. The inside has two thin wooden strips attached to two larger bars to create a frame for the head. Covering the frame is a piece of cotton fabric. Fibre ties hang from the bottom edge. (Similar to A9355).

Wide brimmed, light yellow hat with a star shaped beaded design in the top centre panel. Beaded star made of red, white, black, yellow, and green. Panels in between each star point are a black geometric design on a yellow background with inward pointing red, green, white, and black triangles along the outer edges. Trimmed with red and black and white checked fabric.

Woven cedar bark hat with cloth covering and baleen on exterior. Four kinds of cloth covering: white rayon-like fabric with raised floral imagery, pink-purple floral cotton, a rough ecru-coloured cloth, and white and grey checkered cotton on the top.

A small flat bag made of dark blue silk damask and yellow silk embroidered on both sides. At the top, the blue silk is sewn with an invisible seam to the white cotton lining. Main body of the bag is shaped like a vertical rectangle with triangular projections on both sides created by folding and holding the folds in place with a circular pink cylindrical cord. The centre front panel is embroidered with a pink peony, and the side points with yellow and pink peach flowers, each with five petals. The rectangular panel on the back is embroidered at the top with pink flowers on stems. The pink cord ends at the front with elaborate knots, culminating in three loops.