Female doll wearing a heavy dark blue wool dress with long sleeves, covered by a blanket in dark brown with wide stripes of orange and grey at bottom and a green edging. Around her shoulders is a rectangular multicoloured textile in shades of red and yellow, as well as a white cotton cloth. Her hat is wide brimmed and oblong, decorated with ribbon, foil, sequins, and yarn flowers. Long ribbons trail down her back from her hair. Her shoes are small wood and leather sandals. Her face is painted, showing large brown eyes, rosy cheeks, and a small red mouth.

Cloth figure depicting a birth. A bed is made of light brown fabric, and holds inside it a large central figure lying on her back, with distended stomach. A small head emerges from beneath the bottom of her blanket, into the arms of a figure wearing a white shawl. To each side of the mother are attendants in blue shawls. All figures have large, triangular heads, with broad embroidered features. The mother's blanket is made of tightly woven wool in a multicoloured linear pattern. Her arms are small twigs wrapped with fibre.

Small drum. Sides constructed from tin-like metal formed into a low cylinder, covered with brown paper. Both ends of the cylinder are covered with stretched skin that is fastened with strips of sinew sewn through the edges, that then criss-cross around the cylinder. The drum's top surface has two threads in pink and blue across it, tied around small pieces of wood, and fastened to sinew on either side.

Retablo altar. The outside of the box is light yellow with large floral motifs on the sides and on the inside and outside of the doors. Inside are two scenes with small plaster figures vibrantly painted. At top is a nativity scene showing a large baby laying in a manger surrounded by the parents and people praying, and a man playing a small guitar. Donkeys and sheep surround the manger, and cherubim protrude from the side walls. The rear panel of the scene is painted as a dark blue sky with a large gold star at centre. Below this scene is a smaller one showing people in traditional clothing attending an outdoor church service, with figures playing musical instruments. Cattle mingle in the crowd. A large cactus sits to one side, and there is a small building in a back corner. The side walls are white and decorated with multicoloured dots. The outer structure is a box made of wood with a pediment above two doors that open on leather hinges, contained by thread that passes through metal rings to keep them from opening too far.

Blouse with reverse appliqué panels (or mola). Torso is made of colourful pieces of fabric that have been cut into intricate linear and zigzag designs and delicately sewn onto a backing panel, creating geometric ‘X’ shape designs. Front and back are nearly identical. Black fabric in a herringbone weave makes up the short sleeves and neck, the openings edged in red and orange. Bottom hem is edged in blue.

Blouse with reverse appliqué panels (or mola). Colourful pieces of fabric have been cut into intricate linear designs and delicately sewn onto a backing panel, creating a large fish with dense fins top and bottom and a fluked tail, another similar fish caught in its mouth. These molas make up the front and back torso of the blouse, and are nearly identical. Synthetic light pink fabric scattered with purple and orange flowers has been made into short pleated sleeves and neck with black and yellow decoration on the cuffs. Bottom hem is pleated blue fabric with large pink and yellow flowers.

Blouse with reverse appliqué panels (or mola). Colourful pieces of fabric have been cut into intricate linear designs and delicately sewn onto a backing panel, creating four bird heads. These molas make up the front and back torso of the blouse, and are similar but not identical. Synthetic green fabric scattered with colourful flowers has been made into short pleated sleeves and neck with small mola panels around the cuffs, and bottom hem is pleated yellow cotton.

Blouse with reverse appliqué panels (or mola). A small sugar sack is used as the torso of the blouse, and has been decorated with geometric designs incorporating triangles, circles, and zigzag lines in yellow, orange, black and dark red. Molas on back and front are similar but not identical. The bag’s zipper remains, sitting on the left side of the torso. Synthetic fibre in a dense purple, pink and black flower pattern have been made into pleated sleeves and neck, and bottom hem of the shirt. Yellow piping surrounds cuffs and neck.

Embroidered textile made of four narrow panels of light grey cotton neatly sewn together, with embroidery in dark blue thread occupying the central portion. A circular pattern at centre contains a scattering of flowers surrounded by leaves. Surrounding this are smaller blocks of embroidery showing vases filled with branches and leaves, interspersed with large stylized butterflies. The corners are embroidered with fruit such as apples, pomegranates and pears sitting amongst branches and small leaves. Most of the pieces in the textile are filled with a variety of small repetitive patterns such as circles, squares, and tiny flowers.

Man’s cotton shirt. Shirt has short sleeves, wide at the cuff, a stand-up collar, and button front. A pocket sits at front left, and is heavily embroidered in black, in diamond motifs and colour blocks. The collar just below the neck and lines along the shoulders are similarly decorated. A small orange tag with a stylized letter A is attached to the top edge of the pocket. The buttons are black plastic.