Wood shaft with three-sided blade which takes one quarter of overall length. Widest side has indented line painted red. Shaft is lacquered with gold, red brown, and black bands. Notched ivory piece for butt end. Below this, a knotted cotton cord is attached through hole in the shaft. Below this, four feathers are attached lengthwise along gold lacquered shaft section and are held in place by two black lacquer bands which overlap at the ends of the feathers. Two feathers have disappeared, the other two are still attached.

Slim wooden club tapering from the notched head to the grip. In section, the blade is a very flat diamond, with slightly concave faces and a ridge at the centre on both sides. Handle is a flattened hexagonal shape, wound with alternating tan, blue, and yellow thread. Extremely small ridges at top of grip. Handle ends in a widened pommel with a pointed end. Blade has rough rectilinear patterns incised on each side (different) in mirror image around the central ridge. One side is typically parallel and perpendicular to the major axis of the blade; the other side is in diagonals to that axis. Overall dark brown; possibly a resin, oil, or other stain has been used. Probably chonta palm wood. Different geometric design on each side.

Black coloured face with a hooked nose that attaches to the top lip. Black, green and red ears protrude from the top of the face. Face has prominent brow ridges, cheeks, and lips. A cloth flap and jute sacking is attached to the back, as is a rope harness for suspension. A wire with hooks and eyes is also attached to the back.

Face with wide protruding mouth, large hooked nose, bulging eyes, and markedly protruding ears. Animal fur attached at chin, eyebrows, and top of head where three loops of cedar root (?) are also attached. Rectangular piece of black fur sewn to black cloth hangs from back; another light brown cloth nailed to back, as are green and light brown cords.

Ornament in the shape of a flattened skull, carved and painted on both sides. The eye holes pierce through the wood, and the mouth is carved in a zigzag tooth pattern. The mouth and chin are painted red, and the remainder of the skull is painted white. There is a hole bored through chin, and one through top of head through which is tied to attach some shreds of cedar bark. There are also a few shreds of cedar bark in the chin hole.

Full-length skirt of black faille weave cotton has band of thinner cotton cloth stitched to the top. Midway down, thick transverse band of alternating sections of maroon then beige stripes with pink, yellow, and white interspersed. Central in design and stitched over a join is line of maroon embroidery sections alternating with other colours. At top and at base of faille weave piece are one transverse band each of small maroon with some yellow and pink stripes bordered by white.

Full-length skirt of black faille weave cotton has band of thinner cotton cloth stitched to the top. Midway down, thick transverse band of alternating sections of marron then beige stripes with pink, yellow, and white interspersed. Central in design and stitched over a join is line of maroon embroidery sections alternating with other colours. Below thin cotton section, transverse set of lines in white, yellow and maroon form a band. Lower portion of skirt is embroidered acrylic (?) in sections of vertical evenly-spaced rows, each a joined diamond design in alternating yellow, maroon, pink, green, and white. Also, zigzag motifs include three vertical lines and sections of horizontal bands predominantly maroon with other colours interspersed.

Square bag made with cotton appliqué. The surface is decorated with an orange square border followed by four concentric squares in orange, light orange, green and white. The middle has a dark blue cotton square with multi-coloured stripes embroidered in various patterns. Central square is bright orange. Arranged symmetrically at corners of appliqué design are small semi-spherical silver ornaments, two of which have a string of white shells, a blue bead and brown seeds hanging down. Tassels of multicoloured wool, strings of white-glazed clay beads, brown seeds, shells and squares covered in multicoloured thread hang from two corners of bag face. Two ends of black looped strap form sides of bag; finished off in orange appliqué and multicoloured tassels on the bottom edge.

Red wool brocade on black cotton fabric in diamond pattern; two pieces stitched together. One side has five horizontally placed silver cup-shaped ornaments, opening sewn facing inward, each with five long three-dimensional triangles suspended on two levels by chain. Central fabric of bag folded upwards from base. Two ends of looped strap done in red brocade to form sides of bag are folded inward by doubling strap over. This causes two seams on either bag face to occur centrally, and black strap to have double thickness. Ends finished by adding band of white weft lines then unravelling black fabric and twisting two strands each to form tassels. Along top, colourful embroidered crosses occurring four on each bag face, and spaced yellow weft lines, all horizontally placed. Silver is tarnished and one cup has only two triangles suspended from it.

Back strap loom (parts a-h) with associated pieces. An unfinished textile is stretched between loom end sticks (part a). The weaving has been started at the top of the loom. Loom is warped with multi-coloured stripes of solid and resist-dyed cotton ikat (jaspe). Detailed are black, yellow, green, blue, purple and white stripes on a red ground. Intertwined in the warp is a flat, rectangular batten with triangular, pointed ends (part b); a cylindrical shaped heddle covered in white twine (part c); two rectangular sticks of wood with semi-circular indentations (parts e and f); a shed role (part g) and two thin wooden sticks (parts d and h).