Headdress made of woven fibre that forms a cap with long straps attached together to form a criss-crossing pattern inside a u shape that extends down from the cap. The cap and straps are ornamented with off-white cowrie shells, and the woven fibre is dark brown.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered at the top with a narrow multicoloured horizontal stripe. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced cowrie shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment. Many long (38cm) strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of red wool, resembling a small tassel.

An ornament with the central piece being a flat, round, circular shell from which dangles a cowrie shell surrounded by black-brown seed beads and two strings of green and red beads with a seashell at each end and a plant fibre, possibly grass, below. The central piece has the following written in pencil: "BELE & KARE Tamana".

Flute consisting of a large piece of bamboo, bound with two sets of fibre ties and two cassowary feather rings at the top, middle and bottom. The stop of the flute is a carved kneeling man facing outwards with a large, crooked beak bird standing behind him with its chest pushed out and its wings behind its back standing on a jagged board. The bird and human figure has inlaid cowrie shell eyes and are detailed with white and brown pigment. The figures, the bamboo and the fibre ties on the bamboo are covered in a black stain.

Carved wood ancestor mask consisting of a head with an elongated brow; a long nose, mouth. The top of the head is decorated with cassowary feathers and two rows of cowrie shells. The forehead, sides and chin of the face are painted with black pigment and are inlaid with rows of numerous small shells. The face is decorated with white and black detailing on a brown ground. There is a long, cylindrical shaped piece of wood that stretches from the bottom of the nose to the bottom of the mask that makes up the body of a crocodile; on the end is the reptiles head which faces downwards. The lower sides and bottom are lined with small bundles of sennit fibre.

Tall conical shape, hallow wooden flute. The body tapers at the top where a head is carved in relief. The head has a slightly pointed top, inlaid cowrie shell eyes, long protruding nose with open nostrils, a wide open mouth and large ears. The face is painted brown with white decorative outlines. The body or flute is incised with repeating bands of curvilinear design. It has a large hole in the centre front with a jagged ridge extending from the hole down to the base. Along the ridges are several brown sennit fibre tufts.

Painted naked wooden figure with cowrie shell eyes. Figure has corded grass fibre knotted through his ears and nose and around his neck, wrists, ankles, and waist. The top of the figure's head is flat. Standing on a base carved around the feet.

Carved male figure hook, with a crocodile projecting from neck area and pointing downwards with its mouth open. Exposed genital areas and torso with his ribs carved in relief. On the reverse, the figures spine is protruding. The head is crowned or framed by flat m shape headdress decorated with rows cowrie shells and small, dense bundles of sinnet fibres along edges. The face has protruding eyes inlaid with shell and extended nose which reaches into chin. Arms are extended straight along body with open palms that face thighs. Feet attached to carved hook. Hook has a circular carved face protruding out of lower end. The figure is painted with a black pigment then covered in orange clay dust.

Carved male figure hook. Arms extended parallel to body with palms facing inward. The figure is decorated with stylized designs carved in relief on the head, chest and around the feet. His sides have a c-shaped pattern that runs around to the back. A small crocodile sits on the figures chest with its head raised and the tip of its nose meeting the figure’s nose. Exposed genital area. Elaborately carved feet and hands. The face has large protruding forehead and eyes that are inlaid with circular flat shells, large protruding nostrils and flatter closed mouth. Cassowary feathers are attached around the rim of the head along which is decorated with a thick border of small shells. The figure is covered in a black pigment.

Carved, wood stool consisting of a standing figure on a base with bent knees and arms extending parallel to body. Palms facing inside body. The large, oval shaped face is fringed with cassowary feathers and elaborately painted brown, black and white. Framing the face is inlaid with small cowrie shells. The face has circular-like shapes encompassing the large protruding eyes inlaid with shells. The nose is long, narrow and slightly projects at the tip. On the cheeks are triangular tattoo-like incisions. The mouth is open with the tongue protruding out. The chest is incised with geometric designs and a large rectangular carved pendant in the middle. Around the waist is a woven cord loincloth covering the prominent genital area. Attached to the lower back of the figure is semi-circular stool with a small mask on lower part of leg. The face is incised with lines and has protruding eyes, nose and tongue. The body of the figure is covered in black, charcoal ? pigment.