Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Dagger with a bone blade and packed mud face on top; bone is concave on front and convex on back. Face is made with black mud and has large rounded ears, a curved nose and open pouting mouth; mouth is outlined with red pigment(?). Eyes are inset cowrie shells; short, pointed bones stick out of nostrils with an additional curved bone protruding from left side of nose. Face is covered with small inset cowrie shells, with strokes and spots of white pigment throughout. Long cassowary feathers attached to top of head; small amount of grey fibre surrounds mouth.

Narrow, oval-shaped plaque-like mask depicting two faces and bird; made of wood and coloured with orange pigment and dark brown stain. Face on top of mask is small and carved in relief. Face is oval-shaped, has a long thin nose, pronounced pouting lips and wide chin; long ears on either side of head. Depicted wearing a headdress. Beneath, bird is carved on its belly with the beak just below the chin of the face; wings are spread, touching either side of the plaque. Tail extends down between the eyebrows of the large face on the base of the mask. Face is thin and tapers to a rounded chin; face not carved in relief, only facial features. It has wide eyes, a long thin nose with large nostrils and bared teeth. Long thin ears on either side of head. All figures have cowrie shell eyes. Negative space between the figures and sides of the mask are filled with circular and geometric motifs. Sides of mask have a channel carved into them, with ovals carved in relief throughout. Plant fibre looped tie at top, on back of mask; mask back is concave.

Mai mask consisting of a long and narrow face. Mask is made of wood and is covered in small white shells inset in dark brown-black mud. Area around eyes and nose is plain wood and coloured dark orange. Eyes are made of inset cowrie shells, highlighted with black paint. Sharp nose bridge runs through centre of face. Nose has orange nostrils with black highlights, before extending into a snake that protrudes past the chin; raised design elements on snake's face. Round shells, with swirls in their centres, inset in the centre of the forehead and below the nose, on either side. Plant fibre cord runs around bottom edge of mask, with twisted fibre strands attached, imitating a beard. Additional fuzzy fibre on top of head, imitating hair; inset cowrie shells border bottom of hair. Top half of mask back is concave; bottom half is flat. (Hanging hardware on back.)

Woven breast ornament shaped like an inverted triangle with a naturally coloured, braided cord extending from the top; rest of ornament is coloured with orange pigment. Eight boar tusks extend from either side of the ornament; first two are pointed up, rest are pointed down. Additional boar tusks are threaded through a loop in the front centre of the ornament, pointed down. Woven protrusions extend from either side of the ornament, below the fit set of tusks; protrusions are thin rectangles with rounded ends. An open oval-shaped protrusion is woven underneath the central boar tusks. Above the central boar tusks are two cowrie shells, attached horizontally; a line of vertical cowrie shells extends from below the woven oval to the bottom of the ornament. Loop attached to bottom edge; back is undecorated.

Dance skirt consisting of a cloth band with strands of yarn extending from the bottom edge. Yarn is done in sections of black, yellow and orange; strands are longer in the centre than outer edges. All the strands have groupings of beads at their ends; done in red, dark blue and light blue. The cloth band is black and has flower-like designs, done in cowrie shells. Centre of band has a flower design framed by single cowrie shells; cloth ties on either end of band, for securing.

Humanoid face made of packed clay and pigment. Face has a large forehead, with a triangle-shaped piece of red-pink glass embedded in its centre, that tapers into a narrow face; chin is squat. Cowrie shell eyes frame a hooked nose that has a braid of plant fibre attached to its base, imitating a moustache. Mouth is open and has a protruding bottom lip. Two deep channels are moulded onto the top of the head, creating three high ridges across the surface. Both channels have strands of plant fibre in them, secured with wooden pegs; similar strand is attached to the top of the centre ridge. Plant fibre braids are nailed along the edges of the face. All plant fibre imitates hair. Back of carving and base are undecorated.

Two-piece mask (part a) and tunic (part b) costume. Mask consists of a rounded basketry headpiece, crowned with ten horns, and a rectangular panel hanging from the front. Headpiece is covered in thick braids, made of hair, which wrap around the bases of the horns. The braids then extend downward, draping over the chest and back of the wearer. Braids have red cloth tied at intervals along their length with cowrie shells hanging from their bottoms. The mask panel is covered entirely in cowrie shells with stuffed red fabric in the centre, imitating eyes and a nose. Additional cowrie shells and red fabric decorate the horns. The tunic is sleeveless and indigo-dyed, with off-white designs throughout. Designs are inside rectangular blocks across surface. Designs include: interlocking abstract “X” shapes, dots, concentric diamonds, and propeller-like shapes. Fringe decorates bottom edges and slits are cut underneath arm openings. Black cloth lining around neck opening and slits.

Basketry container with lid, encased in a leather holder. Container has a circular mouth that flares into a rounded body; raised braided seam around middle. Body tapers into a small flat base, with a concave centre. The lid has an inner ridge, that fits into the container body, and a raised knob on the top centre. Bottom edge of lid has braided decorations; sides of knob are covered in cowrie shells. The holder consists of three vertical straps secured together with three horizontal straps along the bottom, centre and top of the container. Front and back strap are separate pieces; left and right side made up of one long strap that extends overtop of the container, imitating a handle. Additional leather ties are looped throughout the holder. Motifs are incised and darkened across all straps. Left, right and back straps have alternating stripes and "X" shapes; front band has wide diagonal lines throughout.

Woven conical hat with tiered, rod brim. Bottom rods are naturally coloured, top rod is partially painted red. Six sections of plant fibre, that bind all the rods together, are painted black and red, forming a vertical stripe pattern. Painted sections are evenly spread out along the brim. Naturally coloured loop attached to brim, for hanging purposes. Hat is divided into six sections- three rectangles and three triangles. The rectangular sections have a black background with a naturally coloured zigzag down the middle. A vertical line, done in red, runs through the pattern. The triangular sections have diagonal rows of concentric diamond designs, trimmed with zigzags on either side. Diamonds and lines are done in black. All sections are bordered by red painted lines. Red tassel, with cowrie shells, attached to tip of hat.