Two-piece mask (part a) and tunic (part b) costume. Mask consists of a rounded basketry headpiece, crowned with ten horns, and a rectangular panel hanging from the front. Headpiece is covered in thick braids, made of hair, which wrap around the bases of the horns. The braids then extend downward, draping over the chest and back of the wearer. Braids have red cloth tied at intervals along their length with cowrie shells hanging from their bottoms. The mask panel is covered entirely in cowrie shells with stuffed red fabric in the centre, imitating eyes and a nose. Additional cowrie shells and red fabric decorate the horns. The tunic is sleeveless and indigo-dyed, with off-white designs throughout. Designs are inside rectangular blocks across surface. Designs include: interlocking abstract “X” shapes, dots, concentric diamonds, and propeller-like shapes. Fringe decorates bottom edges and slits are cut underneath arm openings. Black cloth lining around neck opening and slits.

Woven conical hat with tiered, rod brim. Bottom rods are naturally coloured, top rod is partially painted red. Six sections of plant fibre, that bind all the rods together, are painted black and red, forming a vertical stripe pattern. Painted sections are evenly spread out along the brim. Naturally coloured loop attached to brim, for hanging purposes. Hat is divided into six sections- three rectangles and three triangles. The rectangular sections have a black background with a naturally coloured zigzag down the middle. A vertical line, done in red, runs through the pattern. The triangular sections have diagonal rows of concentric diamond designs, trimmed with zigzags on either side. Diamonds and lines are done in black. All sections are bordered by red painted lines. Red tassel, with cowrie shells, attached to tip of hat.

Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

A small cast net used for catching squid. The net is green with a fine, diamond mesh weave. A strand of plant fibre has been wound through the rim of the net's opening. Tied to this strand are four large, brown and cream cowrie shells. Holes have drilled through the tapered ends of the shells so as to attach them. A long, brown braided rope is tied to the opposite side of the net and is wrapped around itself in a loose coil.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.

Decorated skull covered in clay with tight curls of human hair. A red clay face, formed onto a toothless human skull and decorated with brown, beige, and reddish orange facial tattoo, has Cowrie shell eyes, three rows of brown seeds implanted at the hairline of long twisted black hair locks, and circular bone earrings tied into a hole in each ear.

Clay is molded over the skull to form facial features with cowrie shells used for the eyes. Decorated with dark brown-black curled human hair. Mostly red with some black paint used to accentuate and to decorate the facial features with circular lines, curvi-linear lines, and large dots. Twisted corded fibre is attached through and around the ears.