Figure of a standing female. Woman stands squarely, large feet planted on a thick stand, arms by her sides with fingers straight. Large breasts hang from sloping shoulders. Her neck is thick, and face is carved with an open mouth showing small teeth, a large nose, and fine brows. Eyes are made from round nail heads. Ears are large and delicately carved with a piercing in the left lobe. Her hair, parted in the middle, is held back from a high forehead by a thin band carved with vertical stripes, while the top and back of her head are carved with diagonal stripes. Part b is a cowrie shell necklace that is looped several times around the figure's neck.

'Comb mask'. A long, rectangular wooden face, rounded at the chin, is topped by a tall eight-sticked headdress. The nose is raised, long and thin, connected to a raised forehead piece and sided by square-cut eye holes. Two cowrie shells are attached to the comb, and a tie of cotton is strung through two holes on each side of the mask. The interior is concave.

Tall, freestanding sculpture carved of wood. A female wearing a white mask embellished with painted lines and crescent motifs holds an axe aloft in her right hand. She wears a shell and sago fibre necklace around her neck, and a short sago skirt at her waist. Atop her head is a large sea bird painted in shades of light brown, with wings stretched up and out, beak and talons grasping a fish attached to the woman's forehead. The woman sits on the shoulders of a male figure, painted dark brown, who grasps her legs, wearing a large crocodile mask and a feathered loin cloth around his waist. He stands on a small round base carved as a turtle. The eyes of all the figures are shell.

Body adornment (karawut) woven of bark and fibre. The object is coloured with ochre, charcoal and lime, and takes a basic human shape with head at top, protruding nose running down the length of the face, large open eyes, and open mouth below nose. At bottom are two thin legs with dangling cowrie shells as feet. The chest is thickly padded. Lines of cowrie shells are sewn onto the torso and upper legs, and boar tusks, two per side, are attached along the midpoint edges. At back, a short loop of fibre is attached at mid-upper shoulder.

Tall standing figure of a man. Left hand falls to his side, right holds a tall decorated staff. Around his waist is painted a loin cloth reaching mid-shin front and back. Several painted necklaces encircle his throat, as does a plant fibre cord holding a clam shell ornament. The man wears a mask heavily painted in a tan base colour topped with arrows and swirls in orange and dark grey. A tall headdress sits atop his head, carved to look like feathers at the sides and long curving horns at front. The figure stands on a small round base.

Wood carving of a man with drum, snake and bird. Man wearing a mask with prominent teeth and a shell headdress stands in a dance position, holding a kundu drum with handle in one hand and playing it with the other. A burlap skirt sits at his waist, and his ankles and wrists are decorated with loops of twisted rope. His left foot balances on the head of a large snake, its tail extending up past his shoulders and spanning the back of a large white and black eagle that stands on the man’s head. The eagle’s wings are slightly spread and it looks to the left with beak slightly open. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the signature “Sebbie Dumoi” painted in white.

Wooden carving of three masked figures. A man stands in back with a large concave vessel balanced on his head. The vessel is light brown, with scalloped edges and a face carved and painted at top. Two women stand in front of the man, both carrying bags in one hand and decorative objects in the other. They wear elaborate headdresses that fall down their backs and are covered with shells carved into the wood. All figures wear similar skirts painted orange, yellow and brown, belted at the waist, and white cords crossing their chests. The masks they wear are densely painted in orange, yellow and brown on a white base. All figures have eyes made of shell. The base is rounded and entirely carved and painted.

Finial derivation. Tall, standing carving of a group of figures. On the round wooden base a small masked woman stands with legs slightly crouched, hands by her sides, twisted rope decorating her waist, ankles, wrists and ears. A large decorated shield stands behind her, facing the opposite direction. It holds a large face, circular motifs along both edges, and twists of rope. A second masked woman balances on the shield, similar in appearance and decoration to the woman below, but taller. Standing on her shoulders is a large tan bird with a huge curved beak, its tail resting on the shield. It too is decorated with twisted rope. The eyes of the bird, women and face on the shield are made of shell. One of the twisted fibre cords is made of red and green strands.

Wood carving of a man, woman and crocodile. A woman in an elaborately painted mask sits with knees raised, hands on stomach. The head of a child emerges from her vagina. A man stands behind her with hands on her arms. He too wears a mask, and has elaborate decorations carved into his chest. A crocodile balances on his head, its tail falling down his back. The crocodile’s chin rests on a white ball balanced on the woman’s head. Both man and woman have ear and nose embellishments made of twisted grass. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the name “Lucas Tangun” carved into the side, as well as several grey footprints painted on it.

Tall wooden sculpture of female figure, bird and snakes. Figure has a human torso with a long, eel-like tail in place of pelvis and legs. A large snake is wrapped around her waist and bites her tail at front. The woman wears an elaborately painted mask with an ornate headdress extending from the top. Upon it is wrapped an orange snake gripped in the beak of a large grey and white bird with a yellow head and beak. The figures balance upon a thick, rounded base.