Shell with cream base colour and dark brown speckles overall. The speckles have shadows of light blue and light orange.

The board has triangle sections of cowrie shells, a fabric handle and a large triangle fringe along the bottom. The raised centre has a brown and black fabric covered cross dividing the shells into four triangle sections. In each section are balls of red and brown fabric. The back of the board has band of fabric, two patterned, one red and one white. There is a fabric handle attached to the top of the board, one side is brown and the other a red print. Along the bottom are three large triangles, each with a strand of blue beads hanging from one point.

Deeply carved wooden clan pole covered in various figures, animals and designs on all sides, with the creator figure Tuwatmeri at the top of both sides. The pole is round at the base; slightly flat and rectangular at the top. The eyes of the figures are inlaid with shell. Artist's inscription around pole near base on one side.

A large deep brown wood mask (part a). The circular brown wood pupil of the eyes are outlined with a black swirl and surrounded by a piece of white shell for the sclera of the eye. Along the prominent forehead, there is a horizontal row of eight white shells. Through the large nose, there is a tapering cylindrical white object (part b) that has four black vertical bands around either end. Dangling from the nose, there is a flat circular crescent-shaped shell that has a grey sheen. The tear-drop-shaped ears have a circular ornament on their lobes that is white all around with a sheened shell centre. The prominent rounded wood headdress has a flat white circular disc piece at the centre front with an intricately designed perforated turtle shell piece on top. On top of the headdress, there is a flat triangular brown wood projection decorated with shell inlay in a geometric pattern. A flat crescent-shaped shell (part c) is attached at either back side end of the mask with black cord. The crescent-shaped shell (part c) has a pearl-like sheen and is decorated on the front with a black outline of a bird form at either top end and a dark bird form in the middle with a black outline all around the shell. A dark brown cord (part d) is attached to the crescent-shaped shell (part c) through a flat tear-drop-shaped shell piece that has two holes, a thin brown wood human figure, and a white shell decorated with a vertical line of horizontal fish along the middle front. Six white, brown-black, and orange-brown beaded strands (part e) are attached at either back side end of the mask. A light brown basketry bag (part f) that comes to a point at the bottom has, along its rim, brown braided cord strands that attach to the bottom of the mask with a metal hook (part g).

Mask based on the top of a turtle shell for the face. Face is painted white with red contour lines and a black chin. Face is outlined by a black line which also goes down along the nose, creating a heart-like form. Eyes are each made out of a cowrie shell and are outlined by a black line that tapers to a point at the outer side. Nostrils are red outlined by black. Thirty-seven other shells are surrounding the face. Red clay molded ears. Mask is surrounded by a seven layer coil of red plant bark, or root? Hanging plant fibre cord at the top centre.

Carved male figure hook. Black wooden hook in the form of a human figure with a crescent-shaped base, with inlaid cowrie shell eyes. The ears curl around. Underneath the large nose, there is a curving beak-like mouth that extends downward to the belly. Carved with upraised eyebrows and a hair line. From the wide shoulders, the thin arms rest to the sides. Has genatalia. The knees are slightly bent forward and the feet are resting on the base. A brown piece of plant fibre is tied around the upper body.

Dress yoke with beads sewn onto a backing of brown satin and cotton interfacing. This backing is lined by the same brown satin. The beadwork is in a pattern of horizontal light and dark blue stripes interspersed with clear yellow and greenish-blue bands with several star shapes in clear yellow, dark blue and light greenish-blue. Beaded fringe with cowrie shell ends. Skin ties at sides and neck.

Woman’s dress with multicoloured bodice, wrist-length wide sleeves, and very full, closely gathered skirt. The bodice front is embellished with a densely embroidered panel of floral forms and tree of life motifs in orange, white and green in chain stitch on maroon ground; appliquéd over the embroidery are four large, thick discs embellished with silver thread embroidery and mirrors on black ground, two located at the centre front and two over the breasts; the bodice back is made from deep pink and black striped textile. The neck opening is trimmed with silver thread embroidery; there is a button and loop made of twisted fibre at the centre back neckline. The sleeves consist of panels of red and orange cotton textile; wide cuffs are embellished with chain stitch embroidery on black cotton textile. The front of the skirt is made of plain black cotton textile; the back of the skirt is pieced from panels of machine-printed deep pink cotton textile and deep pink plain cotton broadcloth. Where the bodice and skirt join at the high waist, there is a large, red, triangular amulet attached at centre front, embellished with silver thread embroidery and silk or rayon tassels trimmed with cowrie shells and beads. A pocket is located on the left side of the skirt. Lengths of twisted brown cord hang from the sides of the bodice. The bodice is lined with coarsely woven cotton. There is a horizontal tuck in the skirt at hip level, and a there is a large plastic button on each shoulder.

A flat rectangular panel, which has a hanging stick through one end where the design starts with a horizontal zig zag line of cowrie shells on a black background that has three sets of vertical red lines. Below this, there is a horizontal band of three rows that have vertical cowrie shells. Beneath this, there are two horizontal bands twenty-three and twenty-one rows that have horizontal cowrie shells.

A dark brown-black wood mask carved with geometric linear designs filled with lime, and having black, red, and white colourings. The head tapers upward and is decorated with grooved curvi-linear designs consisting of white inverted u-shapes and red tear-drop shapes. The cowrie shell eyes have a red u-line underneath and high upraised eyebrows above. The cheeks have red dots outlined with white. The face is outlined with a white-gorooved line, below which, there is a red-grooved u-shaped mouth and a pointed chin. There is a grass tassel knotted through the red-outlined nose. The pointed beard is carved with white-grooved curvi-linear lines which swirl around the bottom.