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Necklace3077/13

Necklace made of twisted jute string with "huayruro" seeds between four long sticks; duck (?) feathers attached at the ends of two sticks. Small stick in the centre of necklace is capped with yellow parrot feathers. Sticks are tied with black cotton threads and two of them have long thorns interspersed.

Culture
Bororo
Material
duck feather ?, parrot feather, seed, thorn, bast fibre and cotton fibre
Made in
Mato Grosso, Brazil
Holding Institution
MOA: University of British Columbia
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Headdress3077/2

Feather headdress. Black, white and small yellow and white feathers sewn onto a plain yellow-brown woven band of plant fibre (palm?). Tied at the ends with twisted thin cords.

Culture
Iny
Material
duck feather, plant fibre and dye ?
Made in
Ilha do Bananal, Tocantins, Brazil
Holding Institution
MOA: University of British Columbia
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Headband3089/3

Felt headband with carved wooden frontlet of eagle. Band is made of red felt, with balsa wood carving of an eagle head at centre. Bird has two feathers atop the head, with large eyes rimmed in blue, and an open beak with slightly protruding tongue. Neck is painted with feathers in black. The head is attached to a piece of black leather that is sewn to the band with hide strips. Three shell buttons are sewn to band at both sides of the eagle head.

Culture
Nuxalk and Heiltsuk
Material
balsa wood, wool fibre, shell, duck feather, acrylic paint, fibre and metal
Made in
North Vancouver, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Summer Coat36.43

Frank L. Babbott Fund

Culture
Inupiaq Eskimo and Yup'ik Eskimo
Material
sealskin, wolverine fur, eider down duck feather, hide, sinew and thread
Holding Institution
Brooklyn Museum
View Item Record
Pocket60.1/5451
Women's Ceremonial Belt (wa-to)08.491.8925

Mrs. Ann Barber, the Maidu owner sold this belt to the Museum curator Stewart Culin. According to another Maidu informant, Mrs. Azbil, when she came into the country everyone of any wealth and importance had a belt. People could marry with them. The man gave it away. They also wore it in the War dance and this was the only way a man used it because it actually was a women's belt. This particular belt had been given to Mrs. Barber by her first husband, Pomaho, who married her with it. When he died it became hers and she was criticized for not burning it. The belt would be wrapped around the waist of the dancer twice for the Hesi, Toto of Kenu dances. The patterns on the belt mirror those used on baskets. The red triangles are composed of the scalps of twenty-five woodpeckers and are called grapevine leaves. The two narrow strips, composed of duck feathers, were named after the tongs used to lift the boiling stones out of the baskets when boiling mush. The knot of the belt where the threads come together is called the navel. Feather belts were the supreme Maidu representations of wealth and as such were prime candidates for destruction at death of the owner. Thus they are rare.

Culture
Maidu
Material
bead, mallard duck feather, acorn woodpecker feather, glass, hemp ?, jute ? and cotton cordage
Holding Institution
Brooklyn Museum
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