Pair of boots made of brown and white caribou fur. The soles are made of dehaired seal skin with upstanding sides with vertical crimps. Between the sole and the vamp a red dyed narrow strip of dehaired skin is inserted all around. The leg section consists of white caribou fur with vertical brown caribou fur panels and narrow strips of white and brown caribou fur on either side of the leg. On top of this a horizontal strip of wolverine with two wolverine tassels in the front and in the back is sewn. Above this and intricately decorated broad band of shaved white and brown caribou fur in a geometric pattern, and tufts of red cloth are attached. The top of the boots have a blue cloth casing through which a plaited cord of wool is strung. On either side of the foot a long strip of dehaired skin is attached into the seam of the sole.

A flat, embroidered seat cover. It appears to be shaped to fit a large bicycle seat. It is constructed from blue cotton textile (that has faded to a blue gray colour on the front side of the object), which is profusely embroidered in chain stitch with bright orange and mustard yellow silk or rayon floss, using a meandering pattern, along with paisley motifs and designs that perhaps represent peacocks. A small hooked sun disc motif, enclosed in a circle, appears in the centre, and along the perimeter of the design field are several small discs made from yellow, green and white glass beads. Some gold metallic braid is incorporated into the design. The embroidered textile is edged with a dense fringe made from twisted dark red fibre (faded) and white glass beads, and a ruffle made from dark green synthetic knitted textile. The embroidery is backed with red cotton textile.

Plain strips of cloth (six) sewn together and painted with a pattern of seven birds and a central human-like figure, in dark brown on a beige background. There are three birds at each side, and one underneath the figure. The cloth has selvedges and raw ends.

Embroidered textile panel for a blouse front. The embroidery is worked on gray-green cotton textile, with predominantly red and purple/mauve geometric designs and mirrorwork. The designs are outlined in black and orange. The embroidery is underlined with bright pink block printed cotton gauze. A strip of bright green embroidered cotton textile (15.8 cm wide) is sewn to the lower edge; the colours of this strip, as well as the style of embroidery, are different from those used on the upper portion of the textile.

Pair of leather mittens with a long, flaring cuff trimmed with dark brown fur; a second band of fur encircles with wrist, with a leather fringe on both sides of the mittens running between the two bands of fur. Floral-shaped beadwork in white, orange, black and light green. Lined with bright blue, floral print fabric.

Pair of white moccasins with multicoloured floral quillwork on the toe cap and around the heel. Cuff-like piece that wraps around the heel is trimmed with cloth and ties together at the front, over the tongue. Lined with ecru-coloured cloth.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, constructed of three lengths of bright pink, white, blue-green and yellow warp-face ikat silk satin textile, seamed together vertically, and loosely quilted onto a backing of machine-printed cotton textile. The backing textile is pieced from two floral prints, one with orange and brown predominating, the other with red, yellow and brown predominating. The object is bound on all four edges with bright yellow-green silk dupioni textile, which forms a narrow edging on the front and a wider border on the back. Possibly used as a bed cover for a bride and groom.

A woman's square red, and white checkered jacquard-weave shawl. Woven designs in each check consisiting of bells, paisleys, fruit, flowers, and leaves. Has a red and white fringe all around the edges.

Square embroidered domestic textile, with large naturalistic floral designs stitched with silk floss in many colours on red cotton fabric. There is a large circular floral pattern in the centre and an arrangement of flowers, leaves and stems in each corner of the square. A border of meandering stems, leaves and flowers forms a frame around the outside edges of the square. The background textile was pieced together from narrow strips before the embroidered patterns were worked. The edges are, for the most part, unfinished, although needle marks along some edges indicate that an edging, such as braid or fringe, may once have been in place.

Beaded case with two lobes at the opening and a shaft that tapers towards a pointed tip. The case is decorated in a floral pattern on one face, and the inner surfaces are lined with off-white cotton and blue cotton, with a white floral pattern.