Rectangular, hand-woven shawl made of fine hand spun silk and cotton mixed yarn, decorated with cotton threads woven into the natural colour ground. Border design repeated at both ends, is an open band of alternating figures: stylized humans one above the other in mirror image; and an elaborated geometric motif. Narrow stripes at borders. A small triangular motif covers ground at widely spaced intervals. Detailing in red and black.

Cotton pants formed by two panels with crotch inset and a drawstring waist. The bottom of the pants have a cross-stitch decoration of three different horizontal bands alternating with a row of birds. First band has red, blue and yellow geometric design of triangles and diamonds separated by a zigzag line. On top are nine pink frontal birds with profile heads facing left, each bird has floral crown, an octagonal body and a triangular tail. Second band has stylized orange flowers, alternating directions, joined by an angular green line, dark blue line border at top and bottom; yellow profile birds above band has purple outline. Third band has a double row of blue flowers attached by blue stems to a yellow and red ribbon, flowers alternate with red double scrolls, green line border at top and base; purple frontal birds with heads facing to side on right are above band. Red cloth band at hem of each leg.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Mask (a) with flat top that has four feathers (b-e) inserted into a circular drilled hole at the top centre and is painted white with black and red details. The narrow forehead has large straight black eyebrows. The mask also has small semi-circular eye holes, a hooked nose with rounded semi-circular nostrils, a pursed protruding open mouth, a pointed chin, three crescentic ridged lines from the sides of the nose to the upper side rims. Two curved ridged lines and one painted line extend from mouth to temple, and there is a solid jaw line along side rims from temple to chin. On the reverse, grey-green cord has been looped and knotted through double holes drilled at centre top and on each side rim. Inscription.

Flat folded bag with cross stitch and woven design; three edges finished in cross knit loop stitch. The central design consists of an eight pointed purple star outlined in pink, the red flower at each point has an angular curled extension. There are four inward pointing orange triangles at centre. Of the four upper corner designs, three are green eight are pointed stars and one is stylized curl design. There are stylized floral patterns in lower corners; on either side of star is a brown woven band then a green and red cross stitch band. The woven shoulder strap has an orange band between brown bands; ends are braided and knotted at apex, opposite ends are stitched to upper corners of bag.

Square flat woven bag with a long woven strap, geometric design done in cross stitch, identical on both sides. Centre design consists of a pink flower with eight points, outlined in blue, four point flowers placed at four points of central flower. The border design has a solid cross-stitch in purple has small clusters of stitches pointing toward central green untwisting ribbon or scroll; cross knit loop stitch at sides and across top. Two separate pieces form strap, ends are twisted and knotted together at apex, opposite ends are sewn to inside at top edge of bag; strap is pink with a continuous line of blue-green forming a geometric pattern on either side.

Loom (parts a-d) consisting of a partially completed brown and grey-white double-faced weaving on complete backstrap loom (part a). Intertwined in the weaving is a batten (parts b) and two lease sticks (parts c-d) that can be removed along with four shed rods and two heddle rods are tied to weaving. The long looping stitches attach weaving to front and back loom bars. Detailed are three horizontal rows of abstract geometric designs of beige diamonds, x’s and triangles on a brown ground. Part b is a wooden batten, trapezoidal in shape. Parts c-d are a smaller, thinner version of part b.

A teaching loom consisting of a partially woven tubular fabric with unwoven threads passing through punctured holes in a rectangle of corrugated cardboard and knotted behind. The pattern is made up of repeated white and blue lozenge pattern on a red ground with green and pink stripes. A pair of red weft yarns extend from the final woven row. A clear, plastic cylindrical shaped bar has been passed through the threads.

A loom with an incomplete textile; the shedding device is a number of narrow sticks with one hole in the centre of each which are lashed together leaving narrow spaces. This is lashed to a longer round stick. The unwoven warps are threaded through the holes and the spaces between sticks. 241 cm of unwoven warp twist together on one side of the shedding device. On the other side is 33 cm of unwoven warp and 304 cm of woven band with fringe like loops extending from one side. The band is speckled grey and the fringes alternate areas of grey with short areas of red, blue, white and green. At the junction of the woven band and unwoven warp, two weft of cross threads are attached to the textile. One is a small grey finger skein and the other is also grey but is wound on the shaft of a wooden spindle with a cone shaped whorl.

Red gathered skirt with a colourful striped waistband and lime green cording on the lower edge. Placket opening at the waist with extensions of waistband as tie closures. One pleat, parallel to hem extends around the skirt. Inside of lower edge is faced with off-white fabric.