SPIRITS LIKE THE SOUND OF THE RATTLE AND DRUM: GEORGE THORNTON EMMONS' COLLECTION OF TLINGIT SHAMANS' KITS. ILIFF, BARBARA ELIZABETH DISSERTATION, 1994

SPIRITS LIKE THE SOUND OF THE RATTLE AND DRUM: GEORGE THORNTON EMMONS' COLLECTION OF TLINGIT SHAMANS' KITS. ILIFF, BARBARA ELIZABETH DISSERTATION, 1994 UNDER MOUNT ST. ELIAS: THE HISTORY AND CULTURE OF THE YAKUTAT TLINGIT. DE LAGUNA, FREDERICA, 7, 1972

The paint is black, red, and white.

This mask was made by Willie Seaweed, an artist well represented in the Burke Museum collection. The heavy drooping eyebrows and mustache, open mouth, and staring eyes suggest a certain naivete. The face is entirely white, with the features in black and red. It is a highly intellectualized piece of sculpture, typical of Willie Seaweed in every way. (Holm, Crooked Beak of Heaven, 1972)

This mask was made by Willie Seaweed as part of a set for the Gyidakhanis dance. The most obvious features of the artist are the precision and clarity of the planes of the face and the clean, meticulous painting. The mask is painted a solid white with commercial paint. The tiny mustache, round eyes, and arched eyebrows of typical Seaweed conformation are in glossy black, while the lips and nostrils are in red. (Holm, Crooked Beak of Heaven, 1972)

This mask was made by Joe Seaweed, son of artist Willie Seaweed. The mask expresses what might be surprise or delight, with raised brows and round, open mouth. (Holm, Crooked Beak of Heaven, 1972)

This mask was made by Joe Seaweed, son of artist Willie Seaweed. The character expressed by the little smile and drooping brows suggests innocent, perhaps even gullible wonder. (Holm, Crooked Beak of Heaven, 1972)