The paint is blue, red, and black.

Museum Purchase: Funds provided by an anonymous donor.

Ceremonial war club. Club stick (part a) is long and relatively straight, covered in brown canvas and red felt. Ends are wrapped with narrow strips of fur. Top has an open loop created out of fur. Along the length of the stick are three tassels of horse hair, and several areas of blue glass beading, with the occasional inclusion of some brass beads. Part b is a round, hide wrapped stone. One half of the hide covering is painted dark blue. A braided thong of leather is sewn to the seams of the hide, and attaches two large cream and brown feathers and smaller red feathers with pink beading at the quills, and black glass beads around the thong, to the stone.

Arrow. Straight stemmed metal projectile point is a long triangle in shape, thin with sharpened edges. Stem is inserted into a slot in the shaft end that is tightened by wrapped sinew. Sinew attaches three long, striped feathers to the opposite end of the shaft, which is painted red.

Arrow. Small projectile point is made of stone, thin and finely carved with side and basil notches. Blue painted sinew attaches it to the arrow shaft, which is painted red. Past centre point and at end are a further two areas of blue sinew wrapping holding the remnants of red and white feathers. End comes to a blunt point.

Arrow. Metal projectile point is a long triangle in shape, thin with sharpened edges. It fits into a slot on the tip of the shaft that is tightened by a small amount of wrapped sinew. Sinew attaches three long, light brown feathers to the end of the shaft, which is painted red and has a notched tip.

Mai mask. Mask is long and narrow. The forehead rises at centre, meeting the long, sharp bridge of the nose. Eyes are made of inset cowrie shells, emphasized with black paint. On a light tan background, red-brown linear designs swirl around the eyes and cheeks and along the nose. The mouth of the mask is tubular in shape, protruding above the chin and holding a short snake with a squared head. The lower portion of the mask, as well as its outside edges and forehead, are covered in tiny white-grey shells inset in a light brown mud. Larger concave shells sit at regular intervals, and white cowrie shells line the bottom edge. Long, sparse feathers protrude from both the chin and top of head. A leather cord emerges from the top. Mask is concave on back.

Comb carved from brown wood which is topped by a carving of a human face and chest surmounted by a headdress to which small grey and white feathers have been attached with strands of plant fibre. This portion of the comb is carved and decorated with painted colours (white, sienna, yellow ochre). The human figure has a wooden nose bone of a lighter coloured wood. There are eight prongs on the comb which are not decorated, and are around 13 cm in length each.