ARCHAEOLOGY OF THE GULF OF GEORGIA AND PUGET SOUND. SMITH, HARLAN I. MEMOIRS, 4, 1907

Large brown armoured vest. Vest has two straps with bone plates that go over shoulders and a piece in front that can be tied closed. Front of vest is adorned with six nutshells tied on with leather cord. Back of vest is completely covered in bone plates. Top of front flap is adorned with feathers and sewn with green thread to hold on remaining feathers.

Beaded cow horn club. The head is made of two cow horns with the tips pointing outward from the centre. A piece of checked fabric in yellow, white and dark purple is wrapped around the centre where the horns join. Furred hide is wrapped around the fabric, and white feathers are attached at top. The handle is covered in small glass beads of white, black, dark blue and orange. Two strips of hide hang from the bottom of the handle and join at their distal ends, edged in green and orange beads, with transparent beads decorating the centre. At the bottom is a finely cut leather tassel.

Axel Rasmussen Collection. Collected: Axel Rasmussen

Axel Rasmussen Collection. Collected: Axel Rasmussen

Axel Rasmussen Collection. Collected: Axel Rasmussen

Axel Rasmussen Collection. Collected: Axel Rasmussen

The Elizabeth Cole Butler Collection.

Bernice Akamine says the impetus behind her feather work is a cultural connection to her Hawaiian ancestors, and finds inspiration in the feather baskets of the Pomo people. 'Ahu 'ula is the feather cape worn by Hawaiian nobility. This basket speaks alliances leading to cultural and artistic connections throughout the Pacific. Though this basket portrays connections between people and the natural world, Akamine says that when she works with feathers, the quiet she experiences is like an isolated meditation.