Mrs. Ann Barber, the Maidu owner sold this belt to the Museum curator Stewart Culin. According to another Maidu informant, Mrs. Azbil, when she came into the country everyone of any wealth and importance had a belt. People could marry with them. The man gave it away. They also wore it in the War dance and this was the only way a man used it because it actually was a women's belt. This particular belt had been given to Mrs. Barber by her first husband, Pomaho, who married her with it. When he died it became hers and she was criticized for not burning it. The belt would be wrapped around the waist of the dancer twice for the Hesi, Toto of Kenu dances. The patterns on the belt mirror those used on baskets. The red triangles are composed of the scalps of twenty-five woodpeckers and are called grapevine leaves. The two narrow strips, composed of duck feathers, were named after the tongs used to lift the boiling stones out of the baskets when boiling mush. The knot of the belt where the threads come together is called the navel. Feather belts were the supreme Maidu representations of wealth and as such were prime candidates for destruction at death of the owner. Thus they are rare.

Brooklyn Museum Collection

Frank L. Babbott Fund

Bequest of W.S. Morton Mead

Worn by both men and women, tubes of bone or wood pushed through the ear were a common form of personal adornment in central California.These have been elaborately decorated with feathers and clamshell.

This type of headdress is restricted to women wearing it. The quill decorations are commonly used on many dance regalia articles in southern California.The decorations mounted on slender wires will move as the wearer moves.

Feather fan with bark handle decorated with quillwork. The fan is circular with white feathers in the center and light blue, dyed feathers on the edges. A small bird body with brown and white feathers is affixed to the center.

Gift of Frederic B. Pratt

This ceremonial plume would have been worn straight across the back of the head, stuck into a hair net. Curator Culin's informant, George, said that it indicated his rank as captain and it had been a gift to him. The raw materials are responsible for much of the effect of wealth and prestige. The larger piliated woodpecker does not live around Chico; its feathers must be traded in from the mountains. This pin employs sixteen of its scalps- a multiple of four, the sacred number. The manzanita wood for the shaft is especially hard and difficult to carve.

This Doctor's headdress was probably made by Dr. Hudson using gull feathers his wife gathered with special permission from the game warden. The Big-Head headdress or Kuksu shna, a ceremony involving the impersonation of a god. The feathers are attached to a twined redbud or dogwood framework, and a projecting snout, representing the long nose of the Kuksu spirit, is composed of short feathers attached to a stick. There has been some confusion as to if this is made correctly or it may have been rendered slightly differently by Hudson after a particular Pomo group.